Pass Pertama di Pertunjukan Tango - Mengapa Mereka Terlihat Baik dan Kami Tidak

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Sungguh luar biasa seberapa besar niat yang jelas mempengaruhi baik pengalaman memimpin / mengikuti dan pengalaman orang lain tentang betapa cantiknya Anda sebagai seorang penari. Bila kita mengatakan niat yang jelas, berarti dua hal:

1. Anda telah memutuskan langkah mana yang akan Anda ambil.
2. Tubuh Anda tahu persis bagaimana Anda akan mengeksekusi langkah itu.

Di kota terdekat, ada stiker bemper yang cukup umum yang berbunyi, "doakan saya, saya menyetir Apache Trail". Dan apa yang dibicarakannya adalah kejadian orang-orang di kota itu yang benar-benar tidak tahu apa yang akan mereka lakukan (saat mengemudi) sampai mereka menemukan diri mereka melakukannya. Mereka akan mulai dalam satu arah dan kemudian, di tengah itu, mereka akan mendapatkan ide yang berbeda dan tiba-tiba berbalik dan kemudian mengubah tikungan itu sehingga mobil mereka hanya berkeliaran.

Muncul untuk berkeliaran di lantai dansa benar-benar suboptimal. Dan hal yang sama juga terjadi di dalam setiap langkahnya.

Jika Anda akan mengambil langkah sampingan, tahu apa yang memotivasi perpanjangan kaki Anda keluar, bagaimana Anda akan mentransfer berat badan Anda dan bagaimana Anda akan berhenti saat gerakan selesai.
Pilih satu gerakan sederhana dan pikirkan setiap elemen kecil yang masuk untuk membuatnya.
Saat Anda melangkah maju, apakah Anda merasakan betis, punggung rendah, pantat Anda? Apakah Anda merasakan otot-otot itu terlibat? Apakah Anda merasakannya di mana saja di kaki Anda? Apakah Anda jelas tentang arahnya?
Apakah pikiran Anda mengatakan, "Saya akan pergi ke sisi" tapi, ketika Anda melihat kaki Anda, apakah Anda menemukan Anda berusia 10 derajat?
Jika Anda tidak tahu tujuan Anda, mungkin Anda akan sampai di tempat lain. --Yogi Berra
Bagaimana pelukan mempengaruhi langkah samping? Apakah Anda merasakannya di punggung dan lengan?

Nama artis:: Astor Piazzolla
Judul lagu:: Finale (Tango Apasionado)
Judul album:: The Rough Dancer and The Cyclical Night
Situs artis:: http://www.piazzolla.org/

(Diparafrasekan dari wikipedia): tango Piazzolla berbeda dari tango tradisional dalam penggabungan unsur jazz, penggunaan harmoni dan disonansi yang diperluas, penggunaan tandingan, dan usaha ke bentuk komposisi yang diperluas. Seperti yang ditunjukkan oleh psikoanalis Argentina Carlos Kuri, perpaduan Piazzolla dengan tango dengan berbagai elemen musik Barat lainnya yang begitu terkenal itu begitu sukses sehingga menghasilkan gaya individu baru yang melampaui pengaruh ini.

00:05: Now, this is, actually, a chapter that I've been looking forward to.
00:08: And that's because, not that we're nuts about performing, although we like it, but, rather, that
00:13: When you talk about good performers, that becomes sort of very purely about great dance and great technique.
00:19: Because the difference between "Meh" and "Wow" is not what they do, actually. It's how they do it. Right? It's all this technique.
00:28: So, what we're going to do is have a case study. We have a little bit of choreography.
00:32: And, originally, I was going to have Malakai and Jessica do this badly,
00:35: And then we'd evolve it, until it was incredibly wonderful, so you could see the difference.
00:39: But they couldn't do it badly enough. They can only do it well.
00:42: So, I'm going to do it badly, and they're going to do it well, and then you'll see the evolution.
00:46: Come in, come in.
00:50: And so, I'll be, I guess, the leader first. And I'm going to be a bad leader, and you can watch how that changes.
00:56: So, here's the bad leader. Back up, back up.
00:59: So, we're here. And this isn't real bad, I'm going to try not to exaggerate. It's hard not to exaggerate.
01:27: And a lot of people looking at that, would say, "What's wrong with that? That looked perfectly nice."
01:30: And, maybe, it looked perfectly nice, but the point is it wasn't smashingly magnificent.
01:35: So, if we do the same thing... And I'm just going to pause, at the beginning, I just walked in.
01:42: Which is not particularly useful. It doesn't have presence, or activity in your body.
01:47: So, instead, you make your body alive. You grow like 4 inches, depending on how much you slump.
01:54: You go to your partner. The air becomes thick, and you take a step.
02:02: Jessica is like, "Wow, David, that was a big step!"
02:05: And it's a very different effect. Right? You step side, and on this lunge, instead of doing this,
02:11: Which is mini me. I'm letting my butt go back. I'm letting my head jut forward. I'm invading her space.
02:16: Instead, we're long and tall.
02:20: And I keep my spine vertical, and I go into the lunge. And it's much better.
02:24: Instead of being here, when I take her back, it wraps around, and I stay to her.
02:30: Right? In the wrap, instead of just being here, which is sort of "Blah",
02:36: Do the wrap again.
02:39: It's here. Which is very active.
02:44: Right, so there's this idea, that I want you to lengthen your body in all directions.
02:48: I want you to... Have your core be this fiery engine that emanates out to your extremities. And then you move.
02:58: And, likewise, it's true not just for leaders, but for ladies too.
03:01: So, if I'm the follower, poor Malakai now, this is what you might do, right?
03:08: And he's beautiful, and I'm, "Eh, OK". But we want more than OK.
03:20: And, literally, people do it like this.
03:28: And he was doing it really well, and I was doing it really badly.
03:32: So, let's take that first step. Once again, I want you to emanate in all directions. You take this first step towards each other.
03:44: You see a lot of energy there. On this lunge, you'll notice that I keep the body very vertical, before I let my butt tilt back.
03:51: I really point with a toe, before I let it flex. But really notice the energy and the verticality in the body.
03:57: Even when he turns me, I'm keeping that line of the body.
04:02: As he pulls me up, with abs in, I let that relate to the lift of the leg.
04:09: Thank you, very nice.
04:11: So, if you watch the good. Give it a go, guys.
04:47: So, we'll end with this thought: when you think about performing, it's not about what you do.
04:53: Because you can do anything, and it will look bad. And you can do anything, and it will look good.
04:57: Right? So it's about looking good and bad. Or bad. And we choose good.
05:02: Instead of, "Oh, I can do all this cool stuff".
05:04: I mean, we want you to learn the cool stuff too. And there are lots of chapters on cool stuff.
05:08: But, right now, this chapter is about the idea that you elongate the body, you energize.
05:13: You sort of make the energy that comes from your core, emanate, like an engine, outwards.
05:18: You stay towards your partner. You keep this going.
05:21: And, if the body alignment is right, then... And texture's thick, we'll also have a chapter about that.
05:26: Then it makes the performance work. And otherwise, who cares what you do it.

Seri:: Pass Pertama di Pertunjukan Tango
Tag:: Teknik, Kinerja

Pass Pertama di Pertunjukan Tango - Mengapa Mereka Terlihat Baik dan Kami Tidak

Saya baru mengenal tango. Dimana saya harus memulai?