डबल टाइम और ट्रेस्पी - डबल टाइम उदाहरणों का युगल
कई बार, मिलंगा संयोजन पूरी तरह से टैंगो संयोजन (अलग-अलग स्टाइल के साथ टैंगो की लयबद्ध शैली के लिए) बनाते हैं। उल्टा अक्सर कहा नहीं जा सकता।
- कलाकार का नाम:
- Q Tango
- गीत शीर्षक:
- Yo Me Llamo Juan Te Quiero
- एल्बम शीर्षक:
- Live Four Q Tango
- कलाकार वेबसाइट:
- http://www.qtango.com
वेबसाइट से: जुलाई, 200 9 में अरस्कीन मेतोोरना द्वारा निर्मित, तीसरी पीढ़ी के टैंगो संगीतकार और ओपेरा गायक, QTANGO दक्षिणपश्चिमी में प्रामाणिक अर्जेंटीना टैंगो व्यवस्था करता है, जिसमें लॉस एंजिल्स, सैन फ्रांसिस्को, सैक्रामेंटो, सैन डिएगो, टक्सन, सेडोना, लास वेगास, एल पासो, सांता फ़े और अल्बुकर्क महान अर्जेंटीना टैंगो ऑर्केस्ट्रा के "गोल्डन एज" के पारंपरिक टैंगो म्यूजिक में विशेषज्ञता, क्टानगो के गतिशील और शक्तिशाली संगीत नर्तकियों को फर्श पर रखता है और श्रोताओं को मंत्रमुग्ध करते हैं। हर गीत एक उपन्यास है; प्रेम, विश्वासघात, निराशा और आशा की एक कहानी QTANGO के संगीतकारों ने दर्शकों को एक अनोखा और अंतरंग अनुभव दिया है, एक ध्वनिक अनुनाद केवल एक ऑर्केस्ट्रा प्रदान कर सकता है, रोमांस में एक यात्रा, टैंगो की जुनून और शान। क्या चौदह के रूप में दौरा किया या 14 से अधिक संगीतकारों के साथ गला का आयोजन किया, हर प्रदर्शन परिष्कृत, आकर्षक, उदासीन और चलती है।
- 00:11
- Or again, other direction.
- 00:20
- And, you'll notice, they're really small steps, because it's fast.
- 00:23
- Just breaking this step apart, in slow motion:
- 00:28
- We've got two walks: one, two, in-line with contra-body.
- 00:33
- And then, a one, two, three... and a slow change.
- 00:39
- So, to the camera, for the leaders, I'm going one, two, a one, two, three... slow change.
- 00:49
- Away from the camera:
- 00:54
- This is half-time. Actually, is it? No, it's not half-time.
- 00:57
- It feels like half-time, because I'm stepping so slow... small. One more time.
- 01:06
- And then, for the follower, you have the natural opposite.
- 01:09
- Remember, followers, that when you do this, to keep the body forward, and to keep the thighs tight.
- 01:15
- And to hold on for dear life.
- 01:17
- David says he gives permission to hold on a little tight, when you do this; I give you permission to hold on really tight.
- 01:26
- Let's show the other one.
- 01:28
- OK. Different combination:
- 01:31
- Also double-time.
- 01:33
- What was that? Oh, right, right.
- 01:46
- And people ask me all the time, how do I follow that?
- 01:50
- N: It's really easy to lead, and it's easy to follow.
D: It's not easy to lead.
N: It is, sure it is! - 01:55
- You get down on your hands and knees before it starts, and you beg, abjectly, and they'll do what you say.
- 02:00
- D: Please, please, quick step, rock, back, side, forward, and step.
N: Yeah, it's very easy to lead. - 02:05
- Apart from that, I don't follow it. I don't even try to follow it. I just hold on for dear life, and let him move both of us.
- 02:13
- Right, because the physical connection can be very fast,
- 02:16
- Let your body react very rapidly. But the mind trying to get it is always too slow.
- 02:21
- If he moves, and then you have to think what it is he did, and then you have to try to do it, he's already moved four steps by then.
- 02:28
- In slow motion, this was:
- 02:32
- Point, and... And, actually, it's a mini rock, so I'm going to say: check, and, check, and, check, and, step.
- 02:41
- Or, you can do both sides, right, check, and, check, and, odd side.
- 02:45
- You really wouldn't do that side typically, because it's odd for the leader to go back left.
- 02:49
- Let's do one more time, two more times.