मिलंगा ठेठ संयोजन - पिवट, अंदर की तरफ

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टिप्पणियाँ
संगीत
प्रतिलिपि
टैग
  • यह कदम काम करने के लिए क्या महत्वपूर्ण है?
  • धुरी को कुछ हद तक तेज़ होना चाहिए पिवट को तंग में खींचने के लिए मांसपेशियों का उपयोग करें और फिर अपनी पीठ में ढीला आंदोलन को हिप उच्चारण अधिक बनाएं।
  • यह शरीर के माध्यम से खिंचाव है जो पुनबाधु बनाता है
कलाकार का नाम:
Juan Carlos Caceres
गीत शीर्षक:
Toca Tango
एल्बम शीर्षक:
Tango Negro
कलाकार वेबसाइट:
http://www.juancarloscaceres.com/

(वेबसाइट से): एक मजबूत चुंबकीय शौर्यवाद द्वारा कब्जा कर लिया, कैसरेस हमेशा ही तूफान की आंखों की सीमाओं के भीतर पाया जाता था।

00:19
And the luxury of that step is it's not as hard as it looks.
00:23
Which is always a good thing.
00:24
Yeah, usually they're harder than they look.
00:28
What we do first, let's talk about the transition to get into it.
00:31
Normally, you're doing some sort of milonga step, whatever, let's say the crab.
00:39
And then, right here, instead of stepping forward, you want to step side.
00:43
But when you step side, you don't want to step straight side, for the leaders, you want to step side and open her.
00:48
Right, so I'm turning her, as I step side.
00:53
And that's our prep.
00:55
And then, we can go inside leg.
00:57
For the followers, as you turn, make sure you keep your right arm forward enough, so you can use that.
01:03
So, keep forward pressure on that right arm, and use that to pivot you.
01:06
If I don't press on the right arm, then nothing happens.
01:08
Right, you know, her body doesn't really move, it's just her arm.
01:14
So, that's your prep.
01:16
Now, once you're here, for... For both people,really, I want you to realize that there can be this wonderful snap.
01:23
So, if you see, in our arms, she's going to resist here, and this will let her pop her body.
01:30
And so, there's this pressure, and then you let the spine bend. So, the hips go all the way to one direction, then all the way to the other.
01:36
Which, in David, is more bending than I've got.
01:38
Right. I'm sort of doing almost too much, so I can make the point.
01:42
So, in slow motion, we've got: open side, go forward.
01:48
And now I'm going to pull with my left arm, she's going to pull with her right.
01:51
Snap, and come back.
01:54
And when we come back, we switch weight.
01:56
Yes.
01:56
And that's hard.
01:57
The snap comes because the body reaches its natural end.
02:02
Right? So, as you watch the body go, it's like the spine twists all the way, and then, when it can twist no more, it rebounds back.
02:13
So, we have: open, forward,
02:15
Pivot, pull, snap, rebound,
02:18
Change weight, go forward.
02:21
And that weight change happens at the peak.
02:23
And the reason you know to change weight...
02:26
So, milonga is a very different dance from Argentine tango.
02:29
And in Argentine tango, it's like the follower doesn't change weight, unless the leader leads it.
02:33
In milonga, that's, like, half-ways true.
02:35
So, when in doubt in milonga, you go...
02:38
Nancy: Well, I think when in...
David: one, two, ...
Nancy: Yeah, when in doubt in milonga, you change weight on every beat.
02:43
So, that's all we're doing in that step is we're snapping. And that's the end of the beat, so we change weight.
02:47
Right.
02:47
Where's in tango, when in doubt, you do nothing.
02:50
Right.
02:51
So, we have...
02:59
Or, from the other direction.
शृंखला:
मिलंगा ठेठ संयोजन
टैग:
Milonga, मिलॉंगा संयोजन
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