Elementos de nivel intermedio - Gancho

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Para los guías:

  1. Ella patea hacia atrás debido al impulso que le proporciona.
  2. Deténgala cuando se esté balanceando sobre su pierna trasera.
  3. Asegúrese que su talón derecho este elevado
  4. Su pierna derecha debe estar flexionada hacia afuera

Para los seguidores:

  1. Mantenga su torso vertical (lo cual es un poco complicado)
  2. El gancho se produce primero en la parte posterior del muslo
  3. El énfasis del gancho se da al tope de la patada
  4. A medida que se desplace hacia atrás, gire la cadera hacia afuera. De esta manera le resultará mucho más fácil enganchar el muslo del guía
  5. Controle sus muslos, pantorrillas y tobillos mientras se desplace hacia atrás para realizar la patada y al finalizar para dar un paso adelante.
Nombre del artista:
Fleurs Noirs
Título de la canción:
Urbano
Título del álbum:
Rough Guide To Tango
Sitio Web del artista:
https://www.facebook.com/FLEURSNOIRESTANGO

(Traducción aproximada de su página de Myspace): Once músicos que se han ganado el título de nobleza artística.

00:04
We’re going to show you a gancho now and
this is the kick between the legs...
00:08
..which is what you do to impress your
non tango dancing friends
00:11
You’ll see it often on ‘Dancing with the Stars,’...
00:13
..'So You Think You Can Dance’, things like that.
00:20
It starts just with a Freno,
that we just taught in the last video.
00:39
And it looks hard and it is.
00:42
To break it down:
so you start with the exact same freno.
00:47
Once again we wait for the followers to walk over.
00:49
When they walk over right there,
I’m going to adjust my back leg.
00:53
And there are two places you can put it.
00:54
Just put it behind.
00:56
Okay and I’m going to put it
in the easier place.
00:57
Right.
01:01
So after she walks over,
you’ll see that I pull my right foot out…
01:04
..and place it a hair
behind her right heel.
01:08
Not under her right heel.
01:10
Not under her right heel.
01:14
So right there on my right foot -
actually let’s do this angle.
01:16
After she walks over,
I’m going to bring my foot out and behind her leg.
01:21
I'm going to pop my heel,
so you see how my knee created all this space.
01:26
I’m going to turn out in my right hip socket.
01:28
This will give her a lot of room to kick here.
01:31
So if I keep my leg like this there’s no room.
She might hit my shin.
01:35
But if I pop my heel and I turn out, then there’s lots of room.
01:40
For the followers as you do this, after you walk over…
01:44
..you want to think that you’re going to
turn your hips away from him.
01:47
And then go back with your thigh, your foot and then come back.
02:00
For the leaders,
there’s this instinct…
02:03
..that to get her to gancho
you want to take her far back...
02:07
..and so you end up doing something like this.
N. Ah! David.
02:09
Sorry.
02:11
Right? So if I have the lady here,
she’s balanced, she walks over...
02:14
..and then I take her way over here
to get her to gancho.
02:16
She’s going to end up falling that way.
02:18
So if she’s balanced right over here -
when she’s standing and before the freno...
02:24
..and she walks over,
then you want to bring her back only to here.
02:28
So you give her this throw back.
02:30
But then you catch her while she’s balanced on her right leg.
02:33
So if I’m the lady, I’ll walk over and
they’ll send her back with a lot of momentum to here.
02:39
But notice not further back because then I’d be falling.
02:43
So it’s here, back, bang.
02:48
So for the leaders think that you’re giving her a
backward momentum to say...
02:51
..“Go” and then bring her back.
02:54
But she can only go back to her heel.
02:56
Now for the followers
there’s this horrible thing that…
02:59
..I guess I like to talk about horrible things,
as it come up over and over in videos.
03:03
There’s this horrible thing that happens
for the followers.
03:05
I’m a follower now.
03:07
That after they go to gancho they’ll go…
03:09
..bang and there’ll be this horrible rickochet,
vibration in their body.
03:15
So I want you to think the upper torso is still…
03:21
..and that it’s in the leg.
03:22
So if we just show it from a few angles.
03:33
And that was the ultimate placement.
I’ll put it in place we taught now.