Double Time & Traspie - Ein Paar Double Time Beispiele

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Viele Male, Milonga Kombinationen machen völlig in Ordnung tango Kombinationen (für einen rhythmischen Stil des Tango) mit verschiedenen Styling. Die Rückseite kann oft nicht gesagt werden.

Künstlername:
Q Tango
Liedtitel:
Yo Me Llamo Juan Te Quiero
Albumtitel:
Live Four Q Tango
Künstler Website:
http://www.qtango.com

Von der Website: von Erskine Maytorena Erstellt im Juli 2009, eine dritte Generation Tangomusiker und Opernsängerin, führt QTANGO authentischen argentinischen Tango Vereinbarungen in der gesamten Südwesten, mit mehreren Touren inklusive Auftritten in Los Angeles, San Francisco, Sacramento, San Diego, Tucson, Sedona, Las Vegas, El Paso, Santa Fe und Albuqeurque. Spezialisiert auf die traditionellen Tango-Musik der "Goldene Zeitalter" der großen argentinischen Tango Orchestern, hält QTANGO dynamischen und kraftvollen Musik Tänzer auf dem Boden und die Zuhörer begeistert. Jeder Song ist eine Novelle; eine Geschichte von Liebe, Verrat, Verzweiflung und Hoffnung. QTANGO Musikern geben dem Publikum eine einzigartige und intime Erfahrung, eine akustische Resonanz nur ein Orchester kann, eine Reise in die Romantik, Leidenschaft und Eleganz des Tango. Ob auf Tour als Quartett oder die Durchführung Gala-Veranstaltungen mit über 14 Musikern ist jede Leistung anspruchsvoll, einnehmend, nostalgisch, und Bewegen.

00:11
Or again, other direction.
00:20
And, you'll notice, they're really small steps, because it's fast.
00:23
Just breaking this step apart, in slow motion:
00:28
We've got two walks: one, two, in-line with contra-body.
00:33
And then, a one, two, three... and a slow change.
00:39
So, to the camera, for the leaders, I'm going one, two, a one, two, three... slow change.
00:49
Away from the camera:
00:54
This is half-time. Actually, is it? No, it's not half-time.
00:57
It feels like half-time, because I'm stepping so slow... small. One more time.
01:06
And then, for the follower, you have the natural opposite.
01:09
Remember, followers, that when you do this, to keep the body forward, and to keep the thighs tight.
01:15
And to hold on for dear life.
01:17
David says he gives permission to hold on a little tight, when you do this; I give you permission to hold on really tight.
01:26
Let's show the other one.
01:28
OK. Different combination:
01:31
Also double-time.
01:33
What was that? Oh, right, right.
01:46
And people ask me all the time, how do I follow that?
01:50
N: It's really easy to lead, and it's easy to follow.
D: It's not easy to lead.
N: It is, sure it is!
01:55
You get down on your hands and knees before it starts, and you beg, abjectly, and they'll do what you say.
02:00
D: Please, please, quick step, rock, back, side, forward, and step.
N: Yeah, it's very easy to lead.
02:05
Apart from that, I don't follow it. I don't even try to follow it. I just hold on for dear life, and let him move both of us.
02:13
Right, because the physical connection can be very fast,
02:16
Let your body react very rapidly. But the mind trying to get it is always too slow.
02:21
If he moves, and then you have to think what it is he did, and then you have to try to do it, he's already moved four steps by then.
02:28
In slow motion, this was:
02:32
Point, and... And, actually, it's a mini rock, so I'm going to say: check, and, check, and, check, and, step.
02:41
Or, you can do both sides, right, check, and, check, and, odd side.
02:45
You really wouldn't do that side typically, because it's odd for the leader to go back left.
02:49
Let's do one more time, two more times.