Vals Essence - Wie zu schweben und wann man loslassen

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Musik
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Schlagwörter

Wir denken, dies ist Teil der Grund, warum Walzer werden als romantisch: diese Idee, aus dem Gleichgewicht und Gefallen daran.

Künstlername:
Q Tango
Liedtitel:
Desde El Alma
Albumtitel:
Live Four QTango
Künstler Website:
http://www.qtango.com

Von der Website: von Erskine Maytorena Erstellt im Juli 2009, eine dritte Generation Tangomusiker und Opernsängerin, führt QTANGO authentischen argentinischen Tango Vereinbarungen in der gesamten Südwesten, mit mehreren Touren inklusive Auftritten in Los Angeles, San Francisco, Sacramento, San Diego, Tucson, Sedona, Las Vegas, El Paso, Santa Fe und Albuqeurque. Spezialisiert auf die traditionellen Tango-Musik der "Goldene Zeitalter" der großen argentinischen Tango Orchestern, hält QTANGO dynamischen und kraftvollen Musik Tänzer auf dem Boden und die Zuhörer begeistert. Jeder Song ist eine Novelle; eine Geschichte von Liebe, Verrat, Verzweiflung und Hoffnung. QTANGO Musikern geben dem Publikum eine einzigartige und intime Erfahrung, eine akustische Resonanz nur ein Orchester kann, eine Reise in die Romantik, Leidenschaft und Eleganz des Tango. Ob auf Tour als Quartett oder die Durchführung Gala-Veranstaltungen mit über 14 Musikern ist jede Leistung anspruchsvoll, einnehmend, nostalgisch, und Bewegen.

00:04
So, ballroom waltz has a lot of things that I like about it.
00:07
But the styling for tango vals and ballroom waltz is a little different.
00:11
One thing that I want us to use, but with a different styling, is the sense of hover, of suspension, and then going on.
00:17
So, my learning of ballroom is more from watching channel 8. But that said, I'll show a bad version.
00:25
I'll show my version, which is not trained.
00:27
He knew I was going to get on that bad thing.
00:30
But, so, for example, there's this sense that you're, you know, up and away,
00:33
And then you go up, and then fall, and then up, fall on. Then you hug.
00:42
And I want us to think that, maybe we'll use a rise and fall?
00:45
Maybe we'll use the rise and fall, but it won't be so large.
00:50
So, instead of going... Really, if you look at my ankles,
00:52
Instead of going way up on the balls of my feet, and then coming down, into my knees,
00:58
I'm going to go... I'm going to lift up only in the body. In the body, I go up.
01:02
And I'll go maybe the tiniest bit, but not much. In the ankle, that is.
01:07
And then we'll go... Ah.
01:12
So, you'll see, that the change in level is so subtle, but it's still there.
01:16
If you look at both of us, in the close-up camera,
01:20
Here's staying the same level... And if we wanted to do, ah.
01:28
So, we do have a soft rise and fall, but half of the rise and fall, is actually about the way that we fall into the next step.
01:37
It's about the flow, rather than about the...
01:39
It's not about changing levels so much, it's about allowing our bodies to go into the step.
01:44
It's... Can you listen to the way the music kind of pulls you and then lets go.
01:50
And we kind of do that with our bodies, but we do it much more level.
01:54
David has a really cool thing he says about the dewdrop.
01:57
Right, right, right, right.
01:58
So, I want you to think, that, in this particular case, it's the movement comes out of your body, like a dewdrop, falling off a leaf.
02:07
It's here... Ah, and then it falls.
02:10
So, it's not like the dewdrop wants to fall, "Oh, I'm out of there". It's sort of, like, you know, very fast dewdrop.
02:17
I want you to mean there's one drop, it builds... Ah, and then it's off.
02:22
And it's the music that takes it off. You can hear that, in the music.
02:26
So, there's a lot of suspension. So, if we dance, I'm going to exaggerate:
02:31
One, two, three; one, two, three; and then ah whoo...
Serie:
Vals Essence
Schlagwörter:
Methode, vals
Ich kenne viele tango und wollen, um tiefer zu gehen