جعل الاحتمالات العمل - الاحتمالات التانغو: نظرة

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شيء واحد يحدث كما تحصل على أكثر خطورة الذي هو حقا بارد وممتعة حقا هو أن تبدأ في فهم انطباق ما كنت تعلم في الرقص إلى مجالات أخرى من الحياة. في بعض الأحيان، يبدو ذلك صريحا حقا، مثل هذا الفيديو. أو في بعض الأحيان، انها حول أن تصبح المتكلم العام أفضل واستخدام جسمك للتأثير على الجمهور أو تعلم كيفية أن تكون أكثر حنون. في الوقت المناسب، فإنه يؤثر أيضا كيف كنت تعيش حياتك (بطرق واضحة وأيضا في طرق رائعة خفية).

الاحتمالات

اسم فنان:
Zully Goldfarb
عنوان الأغنية:
A Shpilgueton
عنوان الألبوم:
De Donde Viene Mi Voz
موقع الفنان:
http://www.zully.com.ar/

تانغوس معقدة تغنى في كل من الإسبانية واليديشية مع أصالة كبيرة.

من موقع الفنان على الانترنت عن ألبوم واحد: يحكي قصة بيرينغوندينس، من الملهى الألماني إلى مكان التانغو بوينس آيرس، ومع التانغو سوف يستغرق منا من خلال تاريخ المصائر عبرت، وسوء الفهم، والحب، وننسى أننا نحدد كأرجنتينيين .

00:05
This is the tango look.
00:12
Well, not really.
00:13
Eh, it could be.
00:15
The idea is to take anything that you do, and then make it look tango.
00:20
Nancy: So what would that be?
David: So, for example, let's take
00:24
An example we had before, just being silly, where we had her bicycle.
00:28
And then I'd bicycle.
00:30
Why are you calling that silly? I think it's very serious.
00:33
I love you.
00:34
But if I do it like this, then, you know,
00:35
She goes, I go, she goes...
00:39
That's, eh, OK.
00:41
But in the upper body - nothing special is happening, so...
00:46
So, we do the same thing, but notice first our hips come very subtly towards each other.
00:51
And then, as I lead her, in my upper body I'm towards her, and she's towards me.
00:55
So, in the face, there's this look.
01:00
It's this slight angling towards.
01:02
So, it's a slight angling towards, I'm not here in his face, into his eyes,
01:05
I'm trying to get into his face, but not quite succeeding.
01:09
And I realize, I forgot,
01:11
I was going to give an example of lead from our previous exploring.
01:15
So, I'll say that in this chapter, and it can be an extension of the earlier chapter.
01:19
So, when I'm leading her to do that bicycle,
01:21
Right here, I'm saying to her:
01:24
"Come in, up, over".
01:25
So, if you watch this hand, it goes in, up, over, in, up, over.
01:32
David: So, it was led, actually, this time.
Nancy: It was.
01:35
It was, I didn't really know what he wanted me to do in the beginning.
01:38
And it can be any direction, this look.
01:40
So, I could be facing away from her, right? So we could be here,
01:44
Give me your hand too, just in case.
01:46
So we could be here, and then you'll see my upper body, my upper back goes back to her.
01:51
So, even though the face is away, I say, "Oh".
01:54
Instead of saying, "Oh".
01:56
Here, I'm just away.
01:58
Here, I'm away, but about her.
02:03
So, wherever you are, I want you to think,
02:05
That it's not that you're just away, it's that you're - away.