Intermediate Elements - freno

ความคิดเห็น
เพลง
สำเนา
แท็ก

สำหรับผู้นำ: ถ้าคุณเพิ่งเริ่มต้นเราต้องการให้คุณคิดว่าคุณไม่ต้องทำอะไรมากนัก นี่อาจเป็นคำแนะนำของคุณสำหรับคำศัพท์แบบเดิม ๆ เมื่อคุณกำลังเต้นอยู่ในสังคมอย่างแท้จริงอย่าโยนทุกสิ่งทุกอย่างมาโยนทิ้งสิ่งใหม่ ๆ

สำหรับผู้ติดตาม: สิ่งหนึ่งที่จะทำให้ความแตกต่างในความสามารถของคุณในการปฏิบัติตามขั้นตอนขั้นกลางเหล่านี้คือ:

  1. เก็บต้นขาและขาระหว่างขั้นตอนและ
  2. มีความชัดเจนว่าเท้าของคุณอยู่ที่ใดเพื่อที่เมื่อคุณหมุนคุณจะไม่เปลี่ยนน้ำหนักโดยอัตโนมัติ

เราเหมือน "สิ่งหนึ่ง" และจากนั้นเราก็บอกว่าสองคน แต่นั่นก็เหมือนกับพวกเรามาก ๆ ที่เราอยากจะออกไปแบบนั้น

ชื่อศิลปิน:
Eugenia Leon
ชื่อเพลง:
Malena
ชื่ออัลบั้ม:
Album unknown
เว็บไซต์ศิลปิน:
http://eugenialeon.com/

หนึ่งในนักร้องที่เราชื่นชอบในยุคปัจจุบัน

00:06
We’re going to show you the Freno.
It’s traditionally a step where the - which means brake.
00:11
So the guy puts his leg out and the woman stops.
00:13
And traditionally, this is a step where the woman can
take over and do stuff...
00:17
..which we’ll show in later chapters.
00:19
So this chapter is just the freno in its pure form.
00:34
Or from another angle.
00:43
And it looks deceptively easy.
00:46
It's not crazy hard,
but it's not crazy easy either.
00:49
N: It’s not crazy hard.
00:51
As you step side for the leaders,
you want to make sure that you isolate in your right hip socket.
00:56
So I out step her a little bit and I extend my right leg.
01:00
She collects and then I pivot her,
without putting any weight on my right leg...
01:04
..and she’ll come, she’ll hit my shin with her shin
or her ankle...
01:07
..walk over at her leisure and then at that point,
I take over the lead.
01:12
So her walkover is whenever she wants.
01:14
And then once that happens then I take over the lead.
01:18
And until that happens, his only job is to look enchanted
while I wait until I feel like stepping over.
01:24
So for example...
01:29
I’m busy looking enchanted.
01:32
And I step over when I want.
01:36
And this is one of those rare places
in Argentine Tango...
01:39
..where we actually say,
the woman has in some sense the lead.
01:42
And this is a custom that right there we tell the story...
01:45
..that if I were to pull her over
she might trip over my leg.
01:48
Now it would never happen,
but that’s the story that’s told.
01:51
So some things not to do.
01:57
And then I say, “Why don’t you walk over my leg.”
02:02
Right and the leg keeps moving.
02:04
So for the guys you want to think that after you take this sidestep...
02:07
..or from this angle if you put your leg out here,
she won’t be able to get to it.
02:13
It’s worse you move it further away.
02:15
So instead...
02:17
..you step side and then I’m going to bring my foot to her...
02:19
..where ever she is, so she can feel it.
02:22
And by the same token, when I come into his leg...
02:25
..I’m going to make sure he feels my foot.
02:31
Because he is not supposed to be looking down like that.
02:34
Right, I’ll be feeling for her left shin...
02:37
..or like I’ll wait for her or her left ankle
depending on where he puts his foot.
02:40
So if you look at her leg right there you’ll see it connects.
02:43
Otherwise he has no way of knowing that I got there.
02:47
She walks over, at that point I take over,
I’m going to bring my foot back...
02:50
..change my weight and then
rotate her back to face me.
02:54
Now for the ladies,
there's this horrible thing that a lot of women do.
03:00
And it’s sort of like,
walking over his leg like you’re an elephant.
03:05
And I don’t want you to do that.
03:07
Elephants don’t even walk this way.
This is people pretending to be elephants.
03:10
So if I’m the girl and she puts her leg out...
03:13
..this is what a lot of women do.
They get here and they’re like…
03:16
They don’t do that.
03:17
Well I am exaggerating horribly.
03:19
N: You are.
D: But the point is, when you bring your leg over...
03:20
..I want you to shape and then come back.
03:26
So think: "make that walk over very deliberate."
03:29
The other thing women do do much more often
is when they step over...
03:32
..they step over very close.
03:34
And if you step over very close,
then it is really hard to pivot to face.
03:39
And what's more, the leader might have something that
continues your travel...
03:44
... and it'll make the travel harder.
03:45
So what we want to do is step over
to what feels like fairly far away...
03:50
..so we make a triangle with his feet.
03:52
And then when we step we end right in front of him.
03:56
Keeping the distance the same.
03:57
And another thing, for the leaders,
that typically goes wrong is...
04:00
..after we take the side step here,
she’s going to want to pivot on her right foot.
04:05
And if I am standing with all my weight right here,
she won’t be able to pivot.
04:08
And if I am doing the part of the girl,
if you look at my feet...
04:10
..and I’m the girl, the leader’s foot is right here
and he has weight on it...
04:15
...then she’ll end up pivoting like this
and then she’ll try to walk over.
04:19
And it is not the most attractive of things.
04:20
So instead you want to make sure that you have weight
so that your foot can actually move.
04:23
So if you look at our feet right here,
my foot, after she steps side...
04:27
..she’ll pivot and my foot moves just a little bit
to accommodate her pivot.