Elemen Intermediate - Menyeret

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Masalahnya, mudah bagi saya untuk membicarakan teknik yang satu ini. Dengan cara konseptual, jika Anda berdua seimbang di kaki kiri Anda, misalnya, maka daya tariknya bisa mudah dan Anda bisa melakukan banyak barang kaki lainnya.

Namun, kami ingin membicarakan sesuatu yang lebih mendalam. Satu hal yang membuat drag terlihat dan terasa sejuk dengan cara yang halus namun sangat nyata, adalah kualitas koneksi antara kakinya dan kakinya serta tubuhnya dan tubuhnya. Anda bisa memimpin drag tanpa kaki sama sekali; Anda bisa melakukan drag tanpa bodi sama sekali, tapi, bila Anda melakukan keduanya, maka akan menjadi lebih tiga dimensi di dunia gambar datar. Tapi ini sangat maju jadi cari lebih banyak tentang ini di ambil 3 saat kita berkeliling untuk syuting itu.

Menariknya seberapa sering seorang pria dan wanita memiliki perspektif yang berbeda mengenai isu yang sama:

Seorang guru bahasa Inggris menulis kata-kata, 'Wanita tanpa pria itu tidak berarti apa-apa' di papan tulis dan meminta siswa untuk menekankan agar masuk akal.

Anak-anak itu menulis: 'Wanita, tanpa pria, bukan apa-apa.'

Gadis-gadis itu menulis: 'Wanita! Tanpa dia, manusia bukanlah apa-apa. "

Nama artis:
Julia Zenko
Judul lagu:
Sin Piel
Judul album:
Tango Por Vos
Situs artis:
http://www.juliazenko.com.ar/eng.htm

Salah satu penyanyi favorit kami di zaman modern.

00:06
Now we’re going to show you a drag...
00:07
..which is going to be the third step
in your Introduction to Intermediate Vocabulary
00:32
So it starts very similar to the front ocho.
00:35
We’ll both step side.
00:36
Here - or back ocho; I’ll pull rotating my chest to my left,
so she rotates.
00:41
And I keep going and then eventually
she’ll step in the circle around me.
00:44
I’ll stop her while she’s on both feet
using my hands to keep her from going backwards...
00:50
..freeing my right leg to grab her foot.
00:54
So if you see that again.
01:00
I rotate her, she pivots way around me.
01:02
For the ladies notice how much she pivoted.
01:04
Leaders, I shift all my weight to my left foot...
01:07
..so my right foot is free to grab her foot.
01:09
Show that at another angle.
01:11
And once again, for the ladies
it will feel like a lot of pivot.
01:14
It is a lot of pivot David.
01:16
She’s like, "You won't feel like it, it is."
01:21
So if I lead that again, you’ve got side,
I pivot her a bunch and then more.
01:28
And then finally she steps back around me.
01:30
I stop on both feet, shift my weight to my left foot,
so my right foot is free to grab her foot.
01:36
Now from here...
01:37
I’m going to shift her back so she’s balanced on her left foot
so we can drag her right foot.
01:41
Now for the ladies, you’ll see that
when I collect my legs...
01:45
..I bend my knees, bring the foot in angling
and then push out.
01:52
So that when I am being dragged,
it goes through this beautiful arc.
01:59
So we’ve got side, she pivots a lot.
02:01
He stops her, grabs the foot,
shifts her back to her foot...
02:05
..so her leg is free to drag
and then we’ll bring her up to the freno.
02:10
She’ll walk over and we’ll exit as earlier
or you can do a Gancho; previous chapter.
02:29
Now some comments.
02:30
Why do we tell you to do it this way?
02:32
And that’s because if you -
ladies if you don’t stay close...
02:37
..the reason I’m emphasizing that it's big pivot for her...
02:39
..or for the leaders,
that you need to take her around in a big pivot...
02:42
..is because if you don’t, she’ll end up really far away
which is not the tango way.
02:47
For example.
02:49
N: Yes it’s a fun one to show them.
D: What I do for my students...
02:51
..So we're here, I pivot her, she's
- wrong angle.
02:55
One more time.
02:56
I’m here, I pivot her and she goes that way
and I’m over here and then I grab her foot.
03:01
I can still grab her foot.
We can sort of reach each other.
03:06
And then I go to drag,
and you know, "I can make it."
03:11
I can make it. And then I’m stuck.
03:14
So for the leaders if you’re here and you pivot her
and she steps over there...
03:18
..maybe you can drag the foot,
but you can’t really drag it out.
03:21
And then you’re stuck here
with your feet really wide.
03:23
So instead, for the followers, you want to think
you want to go in this circle around the guy...
03:28
...which is why there is so much pivot.
03:31
That was good.
03:35
Eventually, once you get really comfortable with it
you can do it all as one motion.
03:38
So instead of stopping her, you’ll get her going...
03:41
..and then you’ll just grab the leg along the way.
03:45
N: And we can do it more than once.
D: One more time. Right -
03:47
- for that matter while we’re at it,
once you’re here you can just keep her going...
03:52
..and just keep grabbing the leg
and then flip back and grab the leg.
03:57
And then instead of once,
you’ll do a double flick up.
Seri:
Elemen Intermediate
Tag:
Menengah, Menyeret, Kosa kata Inti
Aku analitis Saya ingin belajar bagaimana tango bekerja