Kosakata linier - pengantar

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Banyak orang mengajarkan hal ini lebih awal. Mereka akan mengatakan di sinilah pemula harus memulai: mempelajari teori tango dan beberapa pemahaman yang keren. Kami menyarankan agar Anda memulai ini setelah melewati serangkaian awal karena menurut kami membantu memiliki struktur kecil sebelum meminta orang berdansa tanpa struktur.

Salah satu hal yang menarik banyak orang tentang tarian adalah kenyataan bahwa Anda hampir harus hadir dan aktif dan berkomunikasi dengan pasangan Anda setiap saat. Karena Anda tidak pernah benar-benar tahu, sebagai pengikut, apa yang akan terjadi dari satu instan ke yang berikutnya. Bagi pemimpin, Anda harus secara aktif menentukan apa yang terjadi setiap saat.

Nama artis:
Astor Piazzolla
Judul lagu:
Adiós Nonino
Situs artis:
http://www.piazzolla.org

Kami menemukan lagu ini dengan melihat situs Mandrágora Tango

(Diparafrasekan dari wikipedia): tango Piazzolla berbeda dari tango tradisional dalam penggabungan unsur jazz, penggunaan harmoni dan disonansi yang diperluas, penggunaan tandingan, dan usaha ke bentuk komposisi yang diperluas. Seperti yang ditunjukkan oleh psikoanalis Argentina Carlos Kuri, perpaduan Piazzolla dengan tango dengan berbagai elemen musik Barat lainnya yang begitu terkenal itu begitu sukses sehingga menghasilkan gaya individu baru yang melampaui pengaruh ini.

00:04
So, this series of chapters is about a structural approach to learning tango
00:09
Often we teach combinations, right?
00:12
When we started, we said, "Here's the basic, here's a front ocho", and we taught you vocabulary.
00:16
But, in the oncoming two series of chapters, we're going to teach you, hopefully,
00:22
how to begin to think about freedom in tango, right? That, at any point, you can do anything.
00:28
But there's almost too much choice, so let's make that very microscopic.
00:32
You're standing in one place,
00:34
you can walk forward, you can walk back, you can walk side,
00:37
you can change weight, or you can wait.
00:39
Right, so that's sort of this series, this is what this is about.
00:42
And then we'll also talk about how to actually make that functional.
00:46
So on that note...
00:51
So, if we say you can walk forward, and I'm sort of leader-centric
00:56
So, for the followers, you'll be walking backward,
00:57
We can go: one, two.
01:01
Or we can go backwards: one, two.
01:05
Or we can go side to side: one, two; or you can change weight.
01:14
Or you can just wait, and then do something.
01:18
Well, when you wait - you look enchanted, that's the kind of waiting.
01:20
Right, right, wait and look enchanted.
Right.
01:23
And when we do this, one key thought is that you're want to bring your energy through your partner in every direction.
01:29
So, for example, if I want her to go, let's say away from the camera,
01:36
I'll really go straight through her, so there'll be the sense of... this.
01:42
And likewise, if I want her to go side, you'll see that as she stands here,
01:47
I really go... through her.
01:50
And so I'm not using my arm to do this, I mean, of course, she catches the arm. But I use my whole body to go through.
01:57
And when David's using his whole body to go through, it's like a train at you, and you go.
02:04
And so, if we just do this for awhile, we can walk forward...
02:08
Change weight...
02:12
Walk side...
02:18
Go back...
02:24
Change weight and stop,
02:26
And then carry on again.
02:28
And that - that's really dancing.