आसान बदलाव - खींचने के लिए एक न्यूनतम प्रवेश

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टैग

आसानी से ड्रैग करने में सक्षम होने के कारण वे बहुत शुरू और रोक नहीं लगाते हैं, बल्कि शुरुआत से अंत में एक प्रस्ताव वास्तव में बहुत अच्छा गतिशील जोड़ता है एक खींचें की तरह आंदोलनों के साथ, यह नाच नहीं होने का खतरा है, बल्कि उसके पैर रखने और कदम उठाने का मामला है। हम चाहते हैं कि आप आसानी से किनारों पर काम करें ताकि ड्रैग एक नृत्य अभिव्यक्ति हो।

कलाकार का नाम:
Trio Garufa
गीत शीर्षक:
Tango a Trois Temps
एल्बम शीर्षक:
El Rumor De Tus Tangos
कलाकार वेबसाइट:
http://www.triogarufa.com

वेबसाइट से: त्रिओ गरफा एक अंतरराष्ट्रीय कलाकार है जो प्रामाणिक अर्जेण्टीनी संगीत प्रदर्शन करने के लिए समर्पित है। उन्होंने अर्जेंटीना, कनाडा और अमेरिका में प्रदर्शन किया है त्रिओ Garufa पारंपरिक अर्जेण्टीनी टैंगो, आधुनिक टैंगो शैलियों जैसे एस्तोर पियाजाउला के संगीत या इलेक्ट्रो टंगो, मूल टैंगो रचनाएं और अर्जेंटीना लोक संगीत का प्रदर्शन करता है उनका संगीत रोमांचक, कलागुण, और नृत्य में निहित है। वे ब्यूनस आयर्स के मिलोंगस (टैंगो डांस क्लब) में बड़े पैमाने पर प्रदर्शन करने के लिए अमेरिका में एकमात्र टैंगो कलाकार हैं। समूह में गिलर्मो गार्सिया, गिटार (अर्जेंटीना) एड्रियन जोस्ट, बैंडोनियन (स्विटजरलैंड) और सास्का जैकबॉन्स, स्ट्रिंग बास (कैलिफ़ोर्निया) शामिल हैं।

00:04
So, normally, a drag involves this big long setup, the way I teach it, right?
00:08
So, I say:
00:09
You step side, you pivot her, you pivot her some more.
00:13
You turn out your foot, you stop her.
00:15
He shifts, he grabs with his foot, he shifts her back, and then he drags.
00:18
Right? There's a lot involved.
00:19
But, the truth is, you don't need all that setup.
00:22
So we can be right here and we can say, "Oh, there's her foot, let's drag it".
00:28
And I can drag him back from this position, if I want to.
00:31
And because I'm naughty, as a follower, as a leader, sometimes, when there's the drag...
00:35
Give it a go, fuzz,
00:36
Yeah, he is naughty.
00:38
I'll pop my foot, just 'cause. I'm a troublemaker. Troublemaker.
00:42
But, so, the point I want to make is that the minimal entrance to drag is just that
00:47
The woman is on one foot, and typically, the man is on the opposite foot, but doesn't have to be.
00:52
But, for now, we'll do it that way. And then you just grab the foot. And you push it. That's it.
00:57
So, minimal entrance to drag is really no entrance to drag.
01:00
And what does that mean?
01:02
Well, if we have this really minimal entrance, that the only thing we need is I'm on my left and she's on her right.
01:06
Nancy: There are tons of times when we're like that.
David: Her right, and the hips are sort of at right angles.
01:10
So, that there's one other thing I didn't say, right? So our hips have to be sort of here.
01:14
If she's on her left, and I'm on my left,
01:18
Right.
01:18
Yes, no, you're on your left and I'm on my left.
01:20
Then it's a little hard for me to drag her foot from here.
01:23
Maybe I could, but it wouldn't be that easy.
01:26
So, you want to be roughly in this sort of body configuration. But, given that, you can do it any time.
01:31
Any time in that position. So, for example, if you take a left-foot basic...
01:35
We're here, we go side, he changes, here's our left-foot basic.
01:42
Then, at any point after the "He changes, side, he changes",
01:46
David: Here, you can grab the foot, you can drag it.
Nancy: Yes, we're in the drag position.
01:50
That's really cool!
01:51
And let's say you pull the foot out of the way - there's the cross.
01:53
Or, for example, let's say you're doing front ochos.
02:00
Right here, if we turn so that our hips are in that position, I can grab her foot and drag her.
02:06
Maybe freno, or something like that.
02:07
Really, you guys should practice that one. Just try it. ecause it's hard to understand until you get it in your body.
02:12
But, remember two key things, and that's it.
02:17
Do whatever you do, stop, make sure your hips are offset with a man, what is this, - on the left hand, on the left side,
02:25
And make sure he's on his left, and she's on her left. That's it.