Zwischenelemente - Gancho

Please share the site on Facebook.
Please share the site on Facebook.
Comments
Musik
Abschrift
Schlagwörter

Für Mitarbeiter:

  1. Sie tritt zurück, weil der Impuls du sie zurück zu geben.
  2. Stoppen Sie sie, wenn sie über ihren Rücken Bein ausgeglichen.
  3. Achten Sie darauf, Ihren rechten Ferse liegt.
  4. Ihr rechtes Bein ist ausgegangen ist.

Für Anhänger:

  1. Halten Sie Ihren Oberkörper Vertikal (das ist schwer).
  2. Die gancho passiert in der Rückkehr des Oberschenkels ersten.
  3. Der Akzent liegt auf der Spitze der das Tor.
  4. Wie gehen Sie zurück, drehen Sie Ihre Hüfte entfernt, so dass es einfach ist, der Anführer der Oberschenkel getroffen.
  5. Sammeln Sie Ihre Oberschenkel, Waden und Knöchel wie Ihr Bein geht zurück zu treten und so das Bein aus dem Tritt kommt nach vorne zu treten.
Künstlername:
Fleurs Noirs
Liedtitel:
Urbano
Albumtitel:
Rough Guide To Tango
Künstler Website:
https://www.facebook.com/FLEURSNOIRESTANGO

(Etwa von ihrer myspace-Seite übersetzt): elf Musiker, die den Titel des künstlerischen Adel verdient haben.

00:04
We’re going to show you a gancho now and
this is the kick between the legs...
00:08
..which is what you do to impress your
non tango dancing friends
00:11
You’ll see it often on ‘Dancing with the Stars,’...
00:13
..'So You Think You Can Dance’, things like that.
00:20
It starts just with a Freno,
that we just taught in the last video.
00:39
And it looks hard and it is.
00:42
To break it down:
so you start with the exact same freno.
00:47
Once again we wait for the followers to walk over.
00:49
When they walk over right there,
I’m going to adjust my back leg.
00:53
And there are two places you can put it.
00:54
Just put it behind.
00:56
Okay and I’m going to put it
in the easier place.
00:57
Right.
01:01
So after she walks over,
you’ll see that I pull my right foot out…
01:04
..and place it a hair
behind her right heel.
01:08
Not under her right heel.
01:10
Not under her right heel.
01:14
So right there on my right foot -
actually let’s do this angle.
01:16
After she walks over,
I’m going to bring my foot out and behind her leg.
01:21
I'm going to pop my heel,
so you see how my knee created all this space.
01:26
I’m going to turn out in my right hip socket.
01:28
This will give her a lot of room to kick here.
01:31
So if I keep my leg like this there’s no room.
She might hit my shin.
01:35
But if I pop my heel and I turn out, then there’s lots of room.
01:40
For the followers as you do this, after you walk over…
01:44
..you want to think that you’re going to
turn your hips away from him.
01:47
And then go back with your thigh, your foot and then come back.
02:00
For the leaders,
there’s this instinct…
02:03
..that to get her to gancho
you want to take her far back...
02:07
..and so you end up doing something like this.
N. Ah! David.
02:09
Sorry.
02:11
Right? So if I have the lady here,
she’s balanced, she walks over...
02:14
..and then I take her way over here
to get her to gancho.
02:16
She’s going to end up falling that way.
02:18
So if she’s balanced right over here -
when she’s standing and before the freno...
02:24
..and she walks over,
then you want to bring her back only to here.
02:28
So you give her this throw back.
02:30
But then you catch her while she’s balanced on her right leg.
02:33
So if I’m the lady, I’ll walk over and
they’ll send her back with a lot of momentum to here.
02:39
But notice not further back because then I’d be falling.
02:43
So it’s here, back, bang.
02:48
So for the leaders think that you’re giving her a
backward momentum to say...
02:51
..“Go” and then bring her back.
02:54
But she can only go back to her heel.
02:56
Now for the followers
there’s this horrible thing that…
02:59
..I guess I like to talk about horrible things,
as it come up over and over in videos.
03:03
There’s this horrible thing that happens
for the followers.
03:05
I’m a follower now.
03:07
That after they go to gancho they’ll go…
03:09
..bang and there’ll be this horrible rickochet,
vibration in their body.
03:15
So I want you to think the upper torso is still…
03:21
..and that it’s in the leg.
03:22
So if we just show it from a few angles.
03:33
And that was the ultimate placement.
I’ll put it in place we taught now.