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(ナンシー語を話す)私は長い間、長い涼しさのある風合いの組み合わせを見て、それが何であるか分かりませんでした。これらのステップの多くが始まるので、例えば、(フォロワーの部分):右横、左後、右横、前進左、見えない要素で十分に快適になるのに時間がかかります。代わりに、メディアの大部分を見てください。一度大きなものを見ることができれば、より複雑なステップをつかむのがはるかに簡単になります。

その間に、あなたがコンビネーションが好きなら、それを練習します。場合によっては、VLCを使って処理を遅くしたり、ループさせたりするのに役立ちます。

ビデオの下のコメントで、 無料プログラムVLCを入手する方法を説明します。Take 3 - Gancho here: Free Program VLC

アーティスト名:
Ruth Roshan
曲名:
Strange Games
アルバムタイトル:
Tango Noir
アーティストウェブサイト:
http://www.ruthroshan.com

(ナンシー語を話す)私は長い間、長い涼しさのある風合いの組み合わせを見て、それが何であるか分かりませんでした。これらのステップの多くが始まるので、例えば、(フォロワーの部分):右横、左後、右横、前進左、見えない要素で十分に快適になるのに時間がかかります。代わりに、メディアの大部分を見てください。一度大きなものを見ることができれば、より複雑なステップをつかむのがはるかに簡単になります。

その間に、あなたがコンビネーションが好きなら、それを練習します。場合によっては、VLCを使って処理を遅くしたり、ループさせたりするのに役立ちます。

ビデオの下のコメントで、 無料プログラムVLCを入手する方法を説明します。Take 3 - Gancho here: Free Program VLC

00:27
And that cross was actually led...
00:28
D: Which I think was very fun.
N: It was.
00:30
And it’s all about rotating around each other
in interesting ways.
00:34
It starts with a media vuelta
and then one would expect it to go out…
00:38
..but instead, I drag her leg to keep it around,
grab a sacada and a molinette,...
00:42
..grab a drag and pull her up,
over to cross.
00:47
Here’s media vuelta.
00:50
Now right here, before she collects
- before she finishes shifting…
00:55
..I’ll move my left foot, so that we have that trap.
01:03
Let’s show the trap again.
01:05
Okay.
01:05
Maybe for the feet.
01:06
For the foot camera.
01:09
Right there, I stop her before she collects…
01:12
..move my foot, pivot my hips, so she traps.
01:15
In my thigh, I crowd her
to discourage her from walking over.
01:19
He’s actually got, he’s got
my knee trapped there.
01:22
Now I’m going to push down and to the left,
she drags, rotates to get her to shift.
01:31
For the guys, it’s the media vuelta
you know and love.
01:33
But, at the end you shift your leg
and then you drag her leg and then her body.
01:39
So, it’s the media vuelta you know
and we hope you love.
01:44
You know and love.
01:47
Imagine the spirals of 'Be hypnotized.'
01:51
I don’t know how to the do that with the editor.
01:53
Yes, that would be fun.
01:54
But, I don’t know how.
01:57
Now, after this, we drag,
shift her over there.
02:00
When she walks over,
I’m going to be in.
02:03
And, as she goes side, I’ll grab the sacada.
02:07
One more time.
02:11
She’s here, when she walks over,
I’ll be in, I’ll pivot, rotating my left,…
02:16
..she pivots, steps side.
02:18
Here, I’m going to shift forward
and grab that sacada.
02:20
We pivot more,
so I can grab this foot.
02:25
Now, from there, there’s the drag
and actually I’m going to rotate this.
02:29
The drag in a line far and right here, now,...
02:32
..you want to lift up to encourage this,
the lady's free leg to go up.
02:37
And he stops me very early, so I haven’t
completely put my weight over my back foot...
02:42
N: ..which is where I would collect.
D: Right before she collects...
02:44
Actually, I give the indication,
the pressure, when she’s in the middle…
02:47
N. Early.
D. ..so there’s plenty of warning.
02:48
It was even earlier than...
02:49
And then as she shifts, the leg gets free...
02:51
..and I can shift her into that cross.
02:53
Leaders, the sense of the lead is this:...
02:56
..you’ve got her stopped, you go up,
rotate over, down.
03:01
Leaders, I think you need to think about
starting that stop…
03:04
..as soon as she takes the next
to the last step.
03:07
So, you’re thinking about beginning it,
just as she’s barely starting back.
03:13
For the followers, it’s a counter intuitive thing,
that last cross...
03:16
..which is why I did it. I'm like, "oh, that's cool."
03:18
Yes, that is cool.
03:19
So, when he's going to - let’s see,
he just dragged you.
03:22
As he’s lifting up, I really want you to pay attention
to the way that...
03:26
..as you shift, this leg becomes free to come up.
03:28
And then over.
03:30
And she actually led that.
03:31
Yes, he’s controlling not only that my leg goes up...
03:34
..but he’s controlling the direction
it comes across.
03:37
So he’s making it cross.
03:38
We’ll show this one or two more times.
03:40
Also, pay attention to how circular it is,
so that we stay close.
04:05
One more time.
04:06
When he does that cross,
when he’s beginning to cross us…
04:08
..when we come to the cross on our left leg,
we need to stay on the ball of our foot…
04:12
..so we can stay forward to him.
04:14
Don’t fall back, anything but that.