Lấy 3 - Media Vuelta Essence

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On our business card, we have the quote: "Technique must be mastered only because the body must not stand in the way of the soul's expression."

Tên nghệ sĩ:
Zully Goldfarb
Tên bài hát:
Neshumele
Tiêu đề album:
Ciudad De Nostalgia
Trang nghệ sĩ:
http://www.zully.com.ar/

Complex tangos sung in both spanish and yiddish with great authenticity.

From artist's website about one album: Tells the story of piringundines, from German cabaret to the Buenos Aires tango venue, and with the tango it will take us through a history of crossed destinies, and misunderstandings, love, and forget that we identifys as Argentinians.

00:04
Media vuelta essence is very different for the two of us.
00:08
For me, it’s a lot about flow and magic.
00:12
Because there is the moment of the mutual pivot and then,…
00:14
..if the timing for the leader is absolutely perfect,
the moment of the stepping…
00:19
..forward for the follower, back for the leader,…
00:21
..and it feels tremendously like magic.
00:23
I think. for David, it’s about
something a lot more specific...
00:26
..and also really important.
00:28
And for me, it’s very much about the
changing of the angles of the body.
00:32
So, as I shift from this side to this side,
as she goes around,…
00:35
..there’s this dialogue that’s created
between our space.
00:39
And, as that space changes, it is very interesting,
very cool.
00:43
So let’s talk about each.
00:44
Okay, so it’s really hard for me
to talk about the magic.
00:50
Sometimes we just do it
and, if we do it big enough, you can feel it.
00:54
Or, if you experience it with a really great leader,
as a follower,…
00:57
..when the leader saves most of the pivot
and we do it completely together,…
01:02
..and then you step out completely together,...
01:04
..that’s where the magic is for me.
01:06
It’s a beautiful sigh.
01:07
Yes, it really is.
01:14
That, I'm talking about, that.
01:16
So I really, if I get a leader who can do that,
I can do a whole dance doing only that…
01:24
..and I would not be bored.
01:28
And, if I’m talking about this sense of angling,
watch how…
01:32
..here she’s one place to me
and after she shifts…
01:37
..she’s a different one.
01:38
She’s moving to the other side of my face.
01:41
And then here, she’s in a different place together
and it’s a bad angle for the camera,…
01:45
..but here you see that it’s on this side.
01:48
And when we turn, we return and go through.
01:52
And so there’s this interplay
with the facing of the upper body…
01:56
..that changes constantly.
01:57
And so, if you have the mind free,
then it’s very interesting and very cool.
02:03
David has this special study he’s made of
the angles in tango…
02:06
..and I think his understanding of that
is unique.
02:09
And I think this idea that he’s
talking about is...
02:12
..the beginning of an understanding
about tango angles.