Basic-Varianten - Beg / Int - Basic With Delayed Weight Change

Bitte teilen Sie die Seite auf Facebook.
Bitte teilen Sie die Seite auf Facebook.
Fragen
Comments
Musik
Abschrift
Schlagwörter
Bitte Einloggen um Ihr Wissen zu testen!

There's something that feels especially "tango" about movements which have a pivot and then a perfectly timed breath to the leaders stepping back and the follower stepping forward. There needs to be a sense of suspension at that moment where he steps around and she doesn't step and a sense of moving through at the end of her pivot where the leader steps back and the follower forward.

Künstlername:
Alex Krebs
Liedtitel:
Bailemos
Albumtitel:
New York Tango Jam Session
Künstler Website:
http://www.tangoberretin.com/

From website: (Alex Krebs) Has been studying the bandoneon since May 2001, directed the tango band "Conjunto Berretin." (with 2 CD's recorded) from 2003-2008, and currently is arranging/directing a tango sextet and arranging/directing an Orquesta Tipica for the Portland Tango Festivals in Feb. and Oct.

00:04
This is actually - it’s my favorite of the basic steps.
00:08
And we call it David’s basic.
00:09
But we decided not to name it that
because...
00:11
..most of the combinations we’re teaching
are David’s combinations.
00:14
So we didn't want to make this -
00:15
Stand out - "Oh what? The other aren’t."
00:17
Right.
00:19
It’s got this really cool squiggle in it
that’s very fun.
00:37
And it can turn any degree.
00:38
Right now I’m turning it at 180,
so it’s good for the camera.
00:42
Really what we’re doing,
the first part is we’re delaying the weight shift.
00:46
Normally -
00:47
The weight shift for the man.
00:48
For the man.
00:49
Normally when we do a basic, side, one, two…
00:52
..she crosses and he’ll shift weight.
00:54
But I’m not going to.
00:55
I’m going to step with my right foot
and then I would shift here.
01:00
But instead of shifting,
I step around her and then we go on.
01:06
And for the followers, this gives you the opportunity
to have a beautiful styling with your foot.
01:11
So after that cross, he takes you back
and then he goes around you.
01:17
And you see that beautiful tail that my right foot makes,
as it goes to step forward.
01:36
So once again, showing the last half slowly.
01:46
It goes through for the leader, back for the follower.
01:49
He goes around her. She pivots,
foot makes a tail, we extend.
01:55
Now I want to make one comment for the leader
about going around the follower.
01:58
This comes up pretty frequently.
01:59
I’ll say he goes around her, but what happens is,
your body is wider than it is narrow.
02:06
And so if I go - think what I did
into the camera.
02:10
This is wider than this.
02:14
And so if I go around her and I put my feet here,
but I go straight forward...
02:18
..I’m going to bump into her.
02:20
See that? Can you stand right here.
02:25
So if I go this, straight that way,
I’ll hit her with my right chest.
02:30
Actually let’s do it this way.
02:31
You think I just like moving her.
02:33
So right here if we go forward,
I’d hit her with my chest. Don’t move.
02:36
But if I rotate sideways as I go there -
02:39
Then I have room.
02:40
I can go by.
02:41
And so when I say go around,
you have to rotate the body as well...
02:46
..so you don’t knock the follower
off her axis.
02:48
I think that’s probably the single
most important thing for the leader...
02:51
..and the thing that makes it fun for the followers.