- 藝術家姓名:
- Ruth Roshan
- 歌名:
- P. M.
- 相冊標題:
- Tango Noir
- 藝術家網站:
- http://www.ruthroshan.com
從網站:在探戈Noir的第二個所有原創專輯“親愛的...保持自己”,露絲使用歌舞表演,探戈,哈瓦內拉,華爾茲,露絲的節奏成功地註入了這張專輯的氣氛,在三十年代柏林同時創造出新的懷舊音樂。這是一個非常可愛和漂亮的專輯。
- 00:05
- There are a number of rhythms in vals, which are very typical.
- 00:08
- So, for example, if we count it: one, two, three; one, two three; one, two, three; one.
- 00:15
- We usually don't dance on every beat, because then, all of a sudden, we look frenetic, right?
- 00:18
- So, if we go: one, two, three; one, two, three - you don't have this sense of flow.
- 00:26
- And this sense of suspension.
- 00:28
- So, you can dance only the ones, stepping on every beat, so you can hover, and then go on.
- 00:37
- Which is a wonderful thing.
- 00:39
- Also, sometimes we'll do one, two, one. So, for example:
- 00:44
- One, two, one; one, two, one; one, two, one; one, two, one; where I'm stepping on.
- 00:53
- So, if we count it: one, two, three; one, two, three.
- 00:56
- I'm stepping on the one, and the two, and not the three, and then, the one.
- 01:01
- Not the two, not the three.
- 01:04
- The one, the two, not the three; the one, not the two, not the three.
- 01:09
- So that's one typical rhythm. Another is you can do one, three, one; one, three, one. So, for example:
- 01:22
- ...Three, one, one; three one. Which is sort of an odd rhythm, but for some tangos, it works really well.
- 01:28
- And, finally, sometimes, you step on all three beats, but you don't want it to look frenetic.
- 01:32
- So, if you look at the feet, you'll see that it's a very tight shot.
- 01:35
- They are tight, tight.
- 01:39
- So, it's really small, right? So I don't go: one, two, three.
- 01:42
- I'm keeping the feet underneath my body: one, two, three,
- 01:46
- So that you can still keep flowing.