- 藝術家姓名:
- Trio Garufa
- 歌名:
- Oblivion
- 相冊標題:
- El Rumor De Tus Tangos
- 藝術家網站:
- http://www.triogarufa.com
從網站:Trio Garufa是一個國際合奏,致力於表演正宗的阿根廷音樂。他們在阿根廷,加拿大和美國都有演出。 Trio Garufa執行傳統的阿根廷探戈,現代探戈風格,如Astor Piazzolla的音樂或電子探戈,原創探戈作品和阿根廷民間音樂。他們的音樂是令人激動,精湛的,植根於舞蹈。他們是美國唯一在布宜諾斯艾利斯的米蘭(探戈舞蹈俱樂部)廣泛演出的探戈組合。該組包括吉列爾莫·加西亞,吉他(阿根廷),阿德里安·傑斯特,波蘭尼根(瑞士)和薩斯卡·雅各布森(Sascha Jacobsen),弦樂貝斯(加利福尼亞)。
- 00:05
- So, we're going to pick two wacky examples.
- 00:08
- And we're going to start with something that's...
- 00:11
- Maybe stretching the boundary of what's tango. And then we'll make it more tango.
- 00:15
- So, for example, we do this just as movement.
- 00:17
- And a new constraint, just for fun:
- 00:19
- She's going to be on her left leg, I'm on my right leg,
- 00:22
- And we are offset.
- 00:25
- So the hips are not facing.
- 00:26
- And from...
- 00:27
- And that's the rule, that our hips are not allowed to face.
- 00:30
- And that I'm on my right leg, and she's on her left.
- 00:32
- And from within this, let's say my motion is I point backwards, and then I come back.
- 00:39
- But I point backwards so far, that I even slide away from her some.
- 00:46
- And this time, I'm going to bring her with me, so we have what initially is a traditional lunge.
- 00:54
- But I'll slide off.
- 00:58
- And then we'll take that...
- 01:00
- How, what was it you were doing with your right hand to make it go here and down? For some reason, it did.
- 01:06
- What did I do?
- 01:07
- Somehow the hand slid to here? Do you remember?
- 01:09
- Oh, yes, yes,yes, yes.
- 01:10
- How did it get there?
- 01:12
- You went like this. I think.
- 01:16
- Why did I do that?
- 01:18
- I have no idea, but you did.
- 01:19
- Okay, so, for some reason I did this.
- 01:22
- Which is obviously not tango, but...
- 01:24
- We're looking for wacky things.
- 01:26
- So, the arm is coming up, and it went down.
- 01:29
- OK, I probably did the head loop, which is sort of more salsa, but hey.
- 01:34
- So, we go into this lunge, and I'm like, "Come here". It slides and then, as I came up,
- 01:39
- Her arm slid, I popped it with my knee into my hand.
- 01:43
- And that's certainly wacky.
- 01:45
- Nancy: But kinda cool.
David: Wacky, but fun.
- 01:46
- It's kind of cool, yes, very fun.
- 01:47
- So, one more time:
- 01:49
- Lead-follow, I pressure in, and a little bit up to get her unmoving,
- 01:52
- And then I do down, and towards me. As I go back, she goes back.
- 01:55
- I'm lifting the arm up over, and right here, it runs out of arm.
- 01:59
- We both run out of arm.
- 02:02
- And then we let it slide, and it'll slide down. As we come down,
- 02:05
- If it stops - that's fine. If it keeps sliding, that's fine.
- 02:09
- In either case, let it go all the way down, just to say - let it go.
- 02:12
- You can even... Wait, don't do. You don't know what's coming.
- 02:16
- You can grab her leg with your knee, and pop it up, and come in.
- 02:19
- That was my arm that you grabbed with your knee.
- 02:21
- Oh, I grabbed her forearm right here. I came in underneath, and I popped it up.
- 02:27
- That's pretty cool.
- 02:28
- For the close-up, a little bit hard with my knee, but I went to the side, I went underneath and then I pushed it up.
- 02:36
- And you can, you can do this, and then, with the facing, what do we do?
- 02:39
- And the answer is, with the facing, as I'm going back,
- 02:44
- It's always about the partner. Right now, I'm going to be towards and then I'm going to shift to be away.
- 02:49
- So, I'm towards as I go back, and I'm away as I go forward, just 'cause.
- 02:52
- So, we're here...
- 02:58
- And then I go away, and then I'll pop it, and come back to her.
- 03:04
- So, that's a very wacky example, that's maybe on the verge of what's tango, but you can get the idea.
- 03:09
- Definitely very wacky, and definitely something David would do socially if he felt like it.
- 03:13
- Finding lead-follow, making it work, finding the angle and making it work.