使可能性工作 - 可能性:古怪的例子

註釋
音樂
抄本
標籤

我們很開心。 (我們玩得很開心很多)。

藝術家姓名:
Trio Garufa
歌名:
Oblivion
相冊標題:
El Rumor De Tus Tangos
藝術家網站:
http://www.triogarufa.com

從網站:Trio Garufa是一個國際合奏,致力於表演正宗的阿根廷音樂。他們在阿根廷,加拿大和美國都有演出。 Trio Garufa執行傳統的阿根廷探戈,現代探戈風格,如Astor Piazzolla的音樂或電子探戈,原創探戈作品和阿根廷民間音樂。他們的音樂是令人激動,精湛的,植根於舞蹈。他們是美國唯一在布宜諾斯艾利斯的米蘭(探戈舞蹈俱樂部)廣泛演出的探戈組合。該組包括吉列爾莫·加西亞,吉他(阿根廷),阿德里安·傑斯特,波蘭尼根(瑞士)和薩斯卡·雅各布森(Sascha Jacobsen),弦樂貝斯(加利福尼亞)。

00:05
So, we're going to pick two wacky examples.
00:08
And we're going to start with something that's...
00:11
Maybe stretching the boundary of what's tango. And then we'll make it more tango.
00:15
So, for example, we do this just as movement.
00:17
And a new constraint, just for fun:
00:19
She's going to be on her left leg, I'm on my right leg,
00:22
And we are offset.
00:25
So the hips are not facing.
00:26
And from...
00:27
And that's the rule, that our hips are not allowed to face.
00:30
And that I'm on my right leg, and she's on her left.
00:32
And from within this, let's say my motion is I point backwards, and then I come back.
00:39
But I point backwards so far, that I even slide away from her some.
00:46
And this time, I'm going to bring her with me, so we have what initially is a traditional lunge.
00:54
But I'll slide off.
00:58
And then we'll take that...
01:00
How, what was it you were doing with your right hand to make it go here and down? For some reason, it did.
01:06
What did I do?
01:07
Somehow the hand slid to here? Do you remember?
01:09
Oh, yes, yes,yes, yes.
01:10
How did it get there?
01:12
You went like this. I think.
01:16
Why did I do that?
01:18
I have no idea, but you did.
01:19
Okay, so, for some reason I did this.
01:22
Which is obviously not tango, but...
01:24
We're looking for wacky things.
01:26
So, the arm is coming up, and it went down.
01:29
OK, I probably did the head loop, which is sort of more salsa, but hey.
01:34
So, we go into this lunge, and I'm like, "Come here". It slides and then, as I came up,
01:39
Her arm slid, I popped it with my knee into my hand.
01:43
And that's certainly wacky.
01:45
Nancy: But kinda cool.
David: Wacky, but fun.
01:46
It's kind of cool, yes, very fun.
01:47
So, one more time:
01:49
Lead-follow, I pressure in, and a little bit up to get her unmoving,
01:52
And then I do down, and towards me. As I go back, she goes back.
01:55
I'm lifting the arm up over, and right here, it runs out of arm.
01:59
We both run out of arm.
02:02
And then we let it slide, and it'll slide down. As we come down,
02:05
If it stops - that's fine. If it keeps sliding, that's fine.
02:09
In either case, let it go all the way down, just to say - let it go.
02:12
You can even... Wait, don't do. You don't know what's coming.
02:16
You can grab her leg with your knee, and pop it up, and come in.
02:19
That was my arm that you grabbed with your knee.
02:21
Oh, I grabbed her forearm right here. I came in underneath, and I popped it up.
02:27
That's pretty cool.
02:28
For the close-up, a little bit hard with my knee, but I went to the side, I went underneath and then I pushed it up.
02:36
And you can, you can do this, and then, with the facing, what do we do?
02:39
And the answer is, with the facing, as I'm going back,
02:44
It's always about the partner. Right now, I'm going to be towards and then I'm going to shift to be away.
02:49
So, I'm towards as I go back, and I'm away as I go forward, just 'cause.
02:52
So, we're here...
02:58
And then I go away, and then I'll pop it, and come back to her.
03:04
So, that's a very wacky example, that's maybe on the verge of what's tango, but you can get the idea.
03:09
Definitely very wacky, and definitely something David would do socially if he felt like it.
03:13
Finding lead-follow, making it work, finding the angle and making it work.