Expanded Intermediate Vocabulary - Arka kanca

Yorumlar
Müzik
kopya
Etiketler

İzleyiciler İçin: Bu, karşıt sezgisel olabilecek, ancak aynı zamanda net bir şekilde net olabilecek harika bir örnektir. Günlük yaşamda birisi sizi bu şekilde hareket ettirirse, çoğu insan arkasından kesemez. Ve yine de, eğer serbest bacağınızın yer çekiminin hareket ettiği yönünde hareket etmesine izin vermeniz gerektiğine inanıyorsanız, bunu yapmak mantıklı olan tek şey açıktır.

Sonuç, önce takipçilerin, serbest bacakları ile ağırlık merkezi arasındaki bağlantıyı geliştirmeleri gerekir; ancak bundan sonra, ona inanmayı öğrenmek zorundalar.

Sanatçı adı:
Trio Garufa
ŞARKI ADI:
Gran Hotel California
Albüm Başlığı:
Tango En El Mate
Sanatçı Web Sitesi:
http://www.triogarufa.com

Web sitesinden: Trio Garufa, otantik Arjantinli müziğin icra edilmesine adanmış uluslararası bir topluluktur. Arjantin, Kanada ve ABD genelinde gerçekleştirdiler. Trio Garufa, geleneksel Arjantin tangosu, Astor Piazzolla'nın müzik veya elektro tangoları, orijinal tango kompozisyonları ve Arjantin halk müziği gibi modern tango stillerini gerçekleştirir. Müzikleri heyecan verici, virtüozseldir ve dansa kök salmışlardır. Bunlar, Buenos Aires'teki milongalarda (tango dans kulübü) yoğun olarak yer alan ABD'deki tek tango topluluğu. Grup Guillermo Garcia, gitar (Arjantin) Adrian Jost, bandoneon (İsviçre) ve Sascha Jacobsen, string bas (California) içerir.

00:21
I like this starting, showing the step.
00:23
That’s cool. Sometimes I like it a lot.
00:29
We call that the hook behind.
00:32
We call that the Max
after a student who really loved that step.
00:36
Breaking it down. Side, he changes, cross system.
00:43
He goes forward left. She goes back left.
00:45
Let’s do that again; different angle.
00:48
Side, he changes. You’ll notice I’m slightly offset.
00:51
He goes forward left, she goes back left.
00:53
Now when I do that I’m going to give her some momentum...
00:55
..and she’ll feel that momentum in her body
and it will propel her leg backwards.
00:58
So it’s important that we just react,
That we don’t just take our leg.
01:02
This way, he takes our leg.
01:04
And with that, there’s a little bit, a tiny bit of leaning
because of the momentum that he’s given us.
01:08
Tiny and you’ll notice, for the leaders,
I left my right foot back as an anchor…
01:12
..so that when she was leaning,
I had no problem balancing her.
01:16
Now after that, I’m going to step -
so I want her left foot, point backwards.
01:21
I want it to come into a cross.
01:22
A back cross, not very tight.
01:25
So do that motion.
01:26
So you'll notice her centre of gravity moved,
forward and to the right.
01:29
So you have to move your centre of gravity forward
- backward and to your -
01:33
N: Left. Right.
D: Her left my, my right.
01:36
Right.
01:39
And so from another angle.
01:47
And so, with the step, for the leaders,
you’ve got side change, forward, step.
01:53
N: So it’s a back diagonal -
D: - forward step.
01:56
So you see I leave the right leg back as an anchor
and then I bring it in a little bit...
01:59
..but it's still behind my body.
02:01
It’s kind of on a diagonal, to the right.
02:04
Now for the followers if we really do this,
you’ll see it flows.
02:16
I’d like the followers - so this is maybe going
a little hardcore into technique but, ah.
02:21
Not that we are ever into technique.
02:24
If I’m doing the follower’s part and she’s the leader.
02:26
She does side, change, forward, left. Here I’ll go -
02:31
And you’ll see in my legs.
02:34
N: Works way better -
D: Then it goes...
02:38
N: Works way better with the sound effects.
D: Or from a different angle...
02:43
So I’m a little bit turned out and I’m cutting shins tight...
02:49
..and so that’s how my body can really shift
to the ball of the foot.
02:52
Well I think it depends - how you cut,
depends on how the leader steps.
02:56
Oh, this is very wise, right?
02:57
So the leader could go like
in some crazy huge step back -
03:00
N: Or side.
D: And if that happened...
03:02
So do side, change, forward left
and then take a huge step back.
03:06
So if she did that.
03:07
He’d be over there.
03:08
You see that huge cut. That was a good point.
03:11
Thank you.