Enfeites e Molinette do líder - Adv - Molinette com chutes

Alguns movimentos têm um grande número de técnicas que precisam ser mantidos em ordem para o movimento para ser bonita. Há um método que utilizamos que nos permite fazer isso.

Faça o movimento concentrando-se em apenas 1 das técnicas, não se preocupar com qualquer outra coisa. Repita quantas vezes for necessário até que técnica particular fluirá fora de seu corpo sem pensar muito.
Repita o movimento concentrando-se em uma segunda técnica, mais uma vez repetindo conforme necessário
Continue a praticar técnicas individuais até que você tenha mergulhado-los todos em seu corpo e você vai descobrir que o movimento torna-se natural e bonito

Isso leva algum tempo e dedicação, mas não é mentalmente doloroso como muitos acham tentando manter sua mente em torno de um zilhão de detalhes de uma só vez.

Nome do Artista:: Zigatango
Título da música:: La Cumparsita
Album Title:: Zigatango

Da CD Baby writeup: Zigatango retrabalha tango argentino e música cigana tradicional com um toque jovial raras expondo uma ardente intensidade de emoção, muitas vezes combinados com uma energia quase demoníaca selvagem.

00:04: This is one of the harder combinations.
00:07: N: Unlike the last one we just videoed.
D: Well, the whole series.
00:11: An what I want you to think about, especially since we're going to be kicking between the legs, is the simultaneity.
00:16: The way I connect the rotation of my leg with the rotation of my body. So that there's no damage done.
00:21: After a while, we'll show those couple of steps separately, so that you can practice it to get the simultaneity.
00:30: So, it starts like a normal molinette. Our entrance's going to be side and side. Rotates through, kicks, turns. Kicks, back ocho.
00:40: So, I'll do that a little slower now.
00:45: Let's scoot over more.
00:51: Pivot around me. I shift forward as she turns... Now, right here, as she takes a step back, I take my foot around back.
00:58: And, as she shifts side, I kick.
01:01: And that's related to my pivot, right? So, as I'm pivoting her here, I'm kicking forward.
01:06: When we teach that in class, we do just that. I stand like this. And he goes back, and then, forward.
01:13: And we just do it, over and over again.
01:18: Like that.
01:20: Now, after that, I'm going to whip around, after this kick. I pivot my hip around. Whip around, boleo.
01:27: And that's going to be her forward step after that. And, as I pivot so she steps side, bang, there's another kick.
01:34: Let's do same angle.
01:43: Back; fit. Here's that whip around, for that other kick.
01:48: Now, I'm going to collect in, pivot her for back ocho, and then, go into back ocho.
01:55: N: Could we show it, just once, showing it?
D: Yeah.
02:20: Like that. Woman's part. What she's got to remember?
02:26: Follower's part. Oops, excuse me, any men, who are following. Follower's part.
02:31: On that note. Now, so if I'm the follower: side; inside leg here. Make sure you shift.
02:37: And that you pivot. And face, as you go, so it's squarely around the man.
02:43: In, tight; back. So, there's a big pivot, as always in molinette. In, tight.
02:48: And, you really want to think that you're very aware of the way your feet are related to the movement of your body.
02:53: Because that's what he's going to control your legs, by how much he pivots you.
02:58: And so, if you're going too fast with your foot, or too slow, then he'll kick you. Let's show the wrong.
03:04: OK. We do have a video on molinette, about molinette. And almost all of the techniques for that, hold for this.
03:11: N: What's the wrong you want?
D: If you step too fast with your foot, when you're going side.
03:16: So, right here... Let's scoot a little more. Right? You have to go to your foot, before your body. Yes.
03:25: N: That was what you want?
D: Yes.
N: Wow.
03:26: D: So, if you're going your foot before your body, he goes, "Bang", he kicks the foot,
N: Oh!
03:29: D: Because he doesn't expect it to be there. Your body hasn't moved at all.
N: That makes sense.
03:33: D: Showing from another angle.
N: The wrong, or the right?
D: The wrong.
03:38: Oh.
03:39: D: That wasn't bad. She's really good at the wrong.
N: I'm eager to get through the wrong is the truth.
D: So, right here...
03:45: OK, I'm lucky, but you see how I could have hit her foot. Because her body hadn't move that far.
03:49: D: So, if we're showing the right now...
N: Ha! There we go.
03:52: We're showing the right now. You'll see her body goes with the foot, so I know exactly where the foot is.
03:57: It's, actually, easier to do it moving my whole body than just moving my foot out of the way.
04:01: D: Show one last time?
N: OK.

Série:: Enfeites e Molinette do líder - Adv
Etiquetas:: Vocabulário, Molinette, Avançado