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Muitos líderes acham psicologicamente muito difícil de caminhar sua coxa para a perna de seu seguidor para levá-los a atravessar. E então, quando eles "pegar", eles acham que é muito legal e divertido.
Esta vantagem não exige que os líderes para contorcer-se ou para bater em perna de seu seguidor. Vale a pena repetir o que dizem no vídeo: a posicionar o passo para que a sua coxa atinge a perna dela e ela atravessa por causa da transferência de seu peso para a perna direita.
Se você está achando isso difícil de coordenar, pegue um parceiro e tê-la entrar na posição do último passo antes da cruz com a perna esquerda ainda para fora na frente (porque ela recuou direita). E então você pode praticar onde pisar com o pé direito para que a sua coxa faz contato exatamente no ponto certo como você pisa no seu pé direito. Depois de ter feito isso algumas vezes, você vai descobrir que toda a combinação fluirá muito mais suave.
A partir do site: (Alex Krebs) vem estudando o bandoneon desde Maio de 2001, dirigiu o tango banda "Conjunto Berretin." (com 2 CD é gravado) 2.003-2.008, e atualmente está organizando / dirigir um sexteto tango e organizar / Orquesta Tipica dirigir um para os Festivais Portland Tango em fevereiro e outubro
00:25
So this is a push cross:
I'm pushing with my thigh to get her to cross.
00:29
And for the leader, I don't want you to do
anything weird with your body.
00:33
So you'll see guys and they'll
kick the ladies with their legs...
00:36
..as if that's what's going
to cause her to cross.
00:38
And I want it to be clear,
that it's not the kick of the leg,...
00:41
..it's the shift of the weight.
00:43
Well, and the other side of that is,
is that it's hard for men to...
00:47
..do this, to walk straight
into a woman's leg like that.
00:49
So if you watch my right leg, I'm not bending my knee.
I'm just shifting my weight over it.
00:54
And that's what causes her to cross.
00:57
Breaking it down though.
I'm getting into the nitty gritty before...
00:59
..I've gotten into the microscopic.
01:02
Side, he changes. But as I change, it's not...
01:04
.. left, side, I change and take a small step over...
01:07
..or, as I go side, I rotate her - actually this is what I really do.
01:11
I'll pivot to my left, so she steps bigger than me.
01:14
That way, when I step forward, I'm on her right side.
01:17
From this angle.
01:21
You'll see she out steps me and that happens
because I rotate to my left.
01:25
But then I step a little bit back into his path.
01:28
Because I'm rotating a little to my right.
01:30
D: And then a little to my right...
N: And then I step a lot back into his path.
01:34
And that's it. That let's him do the push cross.
01:37
Is there a way to show that in that foot camera?
01:39
What is it you want me to show?
01:41
The way, the action of the cross.
01:43
No, it's cutting too low.
They won't see any of the thigh.
01:46
Okay. You're right. I knew that.
01:49
It was obvious, right.
01:50
So new angle or old new angle.
01:56
I turn to my left, then the slow turn to my right
to get her to into my path.
01:59
Here, as I shift, that pushes her thigh over into a cross.
I let her shift over the ball of her left foot.
02:06
And then when I cross, there is this little bitty pivot...
02:09
..to straighten me out in front of him again.
02:11
So when I end up crossing,
I'm a little bit facing 'that' way.
02:15
And there's a little bit of pivot.
Watch that.
02:20
Let's see. Let's do it from this angle.
02:28
Now I'm here and then there's this little pivot
to straighten me in front of him before we step out.
