Double Time & Traspie - Um par de exemplos Duplo Tempo

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Muitas vezes, as combinações milonga fazer combinações de tango perfeitamente bem (para um estilo rítmico de tango) com um estilo diferente. O reverso muitas vezes não pode ser dito.

Nome do Artista:
Q Tango
Título da música:
Yo Me Llamo Juan Te Quiero
Album Title:
Live Four Q Tango
Website de artista:
http://www.qtango.com

A partir do site: Criado em julho de 2009 por Erskine Maytorena, um músico de tango e ópera cantor terceira geração, QTANGO realiza autênticos acordos de tango argentino em todo o sudoeste, com vários passeios, incluindo aparições em Los Angeles, San Francisco, Sacramento, San Diego, Tucson, Sedona, Las Vegas, El Paso, Santa Fe e Albuqeurque. Especializada na música do tango tradicional da "Idade de Ouro" das grandes orquestras de tango argentino, música dinâmica e poderosa do QTANGO mantém dançarinos no chão e ouvintes fascinados. Cada canção é uma novela; uma história de amor, traição, desespero e esperança. Músicos de QTANGO dar ao público uma experiência única e íntima, uma ressonância acústica única uma orquestra pode fornecer, uma viagem para o romance, paixão e elegância de tango. Quer passear como um quarteto ou a realização de eventos de gala com mais de 14 músicos, cada apresentação é sofisticada, envolvente, nostálgico, e em movimento.

00:11
Or again, other direction.
00:20
And, you'll notice, they're really small steps, because it's fast.
00:23
Just breaking this step apart, in slow motion:
00:28
We've got two walks: one, two, in-line with contra-body.
00:33
And then, a one, two, three... and a slow change.
00:39
So, to the camera, for the leaders, I'm going one, two, a one, two, three... slow change.
00:49
Away from the camera:
00:54
This is half-time. Actually, is it? No, it's not half-time.
00:57
It feels like half-time, because I'm stepping so slow... small. One more time.
01:06
And then, for the follower, you have the natural opposite.
01:09
Remember, followers, that when you do this, to keep the body forward, and to keep the thighs tight.
01:15
And to hold on for dear life.
01:17
David says he gives permission to hold on a little tight, when you do this; I give you permission to hold on really tight.
01:26
Let's show the other one.
01:28
OK. Different combination:
01:31
Also double-time.
01:33
What was that? Oh, right, right.
01:46
And people ask me all the time, how do I follow that?
01:50
N: It's really easy to lead, and it's easy to follow.
D: It's not easy to lead.
N: It is, sure it is!
01:55
You get down on your hands and knees before it starts, and you beg, abjectly, and they'll do what you say.
02:00
D: Please, please, quick step, rock, back, side, forward, and step.
N: Yeah, it's very easy to lead.
02:05
Apart from that, I don't follow it. I don't even try to follow it. I just hold on for dear life, and let him move both of us.
02:13
Right, because the physical connection can be very fast,
02:16
Let your body react very rapidly. But the mind trying to get it is always too slow.
02:21
If he moves, and then you have to think what it is he did, and then you have to try to do it, he's already moved four steps by then.
02:28
In slow motion, this was:
02:32
Point, and... And, actually, it's a mini rock, so I'm going to say: check, and, check, and, check, and, step.
02:41
Or, you can do both sides, right, check, and, check, and, odd side.
02:45
You really wouldn't do that side typically, because it's odd for the leader to go back left.
02:49
Let's do one more time, two more times.
Série:
Double Time & Traspie
Etiquetas:
Milonga, Intermediário, Musicalidade, Avançado
Conheço muitas tango e querem ir mais fundo