Milonga introdutória Vocabulário - Caranguejo

Isso nos foi ensinado como uma base milonga. Uma das coisas interessantes sobre a milonga é que não há consenso sobre o que é um básico. Então há muitas noções básicas milonga. Esta é a segunda etapa que é a "base" para milonga.

Uma coisa que funciona muito bem do ponto de vista musical é a maneira que você pode ir na quarta etapa, que pode estar na quarta batida da música. Não pode haver um pouco de largura extra e suspensão como você tem "e" e um passo à frente (ou para trás para o seguidor) para o "um".

Queremos dizer algo como "após a amplitude ea suspensão, vem a queda, como você ir para o primeiro e para a frente."

Nome do Artista:: Aníbal Troilo
Título da música:: La Milonga Y Yo
Album Title:: Che Buenos Aires - 1969/1970
Website de artista:: http://www.troilo.com.ar/

(Origem: Wikipédia): Anibal Troilo foi um bandoneonista, compositor, arranjador e maestro na Argentina. Sua típica do orquesta foi entre o mais popular com bailarinos sociais durante a idade de ouro do tango (1940-1955), mas ele mudou para um som concerto da década de 1950. Orquestra de Troilo é mais conhecido por seus instrumentais e também gravou com muitos vocalistas.

00:05: So, this step was taught to me as the crab. We'll show you.
00:10: Once the music comes back on.
00:12: It's another 4-count basic, that we can use.
00:29: And so, really, what we're doing, for the guys, there's first a step... I'm going to call it a step zero, which you do once to prep.
00:35: So, normally, when we're dancing tango, we start with a man's weight on his right foot and the lady's on her left, and then we go into stuff.
00:43: In many of the milonga combinations I'm teaching, we start with the guys right foot, and the lady's left foot.
00:49: And partly that's because of direction, but partly not.
00:54: So, here, I'm going to start with a zero, and then after that, I'll go... forward, forward, side, together.
01:04: So, for the guys, you've got: one, two... side, together.
01:13: One more time, different angle.
01:15: So, I step side, turning to my right, side, turning to your right, so you can get outside partner.
01:21: One step. On my second step, I'm going to cross a little bit over, so you see that I'm not walking straight forward, like that.
01:28: What I'm doing is I'm going side, and I'm going one, two, travels a little to the side.
01:34: For the followers, you have the natural opposite.
01:36: When he goes side, you go side, but you're turning to your right to see him. Then you have one, two.
01:42: So, once again, you see how my right foot goes to my left shoulder.
01:49: Here's our zero, one, two; one more time, here's our zero, one, two.
01:56: Now, after that, we have a weight change.
01:59: For the guys, you have zero, one, two... So that they can see, move a little that way.
02:06: Three is side, four is together, and I'm adding a hover, to go into next thing.
02:11: So, if you think musically, sometimes they have this thing, where
02:14: You'll listen to music, and you'll go, "One, two, three, FOUR, one", and so our hover's accenting that four.
02:21: So, we have: side, forward, forward, side, together, and then you'll go forward.
02:29: And it's the natural opposite for the ladies.
02:34: Back, back, side, together, hover, and then out.
02:41: So, we have prep...
02:58: Now, there's another point I would like to make, which is that
03:02: That moment of hover can be really cool, and really special.
03:05: Because there's this like *inhales*, and then you go.
03:08: So, as we do this, watch, maybe not the first time you watch the video, but the second or third; you can watch the hover, and then hit.
03:24: And don't make too big a thing of it.

Série:: Milonga introdutória Vocabulário
Etiquetas:: Milonga