中間要素 - ドラッグ

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事は、私がこのテクニックについて話すのは簡単です。概念的なやり方では、例えば両方のバランスがあなたの左足にある場合、ドラッグは簡単になり、他の足のものをたくさんすることができます。

しかし、私たちはもっと深遠なものについて話したいと思います。ドラッグを美しく見せてくれるようにするには、足と足と体と身体とのつながりの質です。あなたは足を使わずにドラッグを導くことができます。体を使わずにドラッグをすることはできますが、両方を行うとフラットな世界の世界では3次元的になります。しかし、これは非常に進歩しているので、撮りに行くときに撮ってみると、これについてもっと詳しく調べてみましょう。

男性と女性が同じ問題について異なる視点を持つ頻度は面白い。

英語の先生は黒い板に「男がいない女性は何もありません」という言葉を書いて、それに意味があるように句読点を付けるように学生に求めました。

少年たちは次のように書いています。「女性は、人がいなくても、何もありません。

女の子はこう書いた:「女よ!彼女がなければ、人は何もありません。

アーティスト名:
Julia Zenko
曲名:
Sin Piel
アルバムタイトル:
Tango Por Vos
アーティストウェブサイト:
http://www.juliazenko.com.ar/eng.htm

現代の歌手の一人。

00:06
Now we’re going to show you a drag...
00:07
..which is going to be the third step
in your Introduction to Intermediate Vocabulary
00:32
So it starts very similar to the front ocho.
00:35
We’ll both step side.
00:36
Here - or back ocho; I’ll pull rotating my chest to my left,
so she rotates.
00:41
And I keep going and then eventually
she’ll step in the circle around me.
00:44
I’ll stop her while she’s on both feet
using my hands to keep her from going backwards...
00:50
..freeing my right leg to grab her foot.
00:54
So if you see that again.
01:00
I rotate her, she pivots way around me.
01:02
For the ladies notice how much she pivoted.
01:04
Leaders, I shift all my weight to my left foot...
01:07
..so my right foot is free to grab her foot.
01:09
Show that at another angle.
01:11
And once again, for the ladies
it will feel like a lot of pivot.
01:14
It is a lot of pivot David.
01:16
She’s like, "You won't feel like it, it is."
01:21
So if I lead that again, you’ve got side,
I pivot her a bunch and then more.
01:28
And then finally she steps back around me.
01:30
I stop on both feet, shift my weight to my left foot,
so my right foot is free to grab her foot.
01:36
Now from here...
01:37
I’m going to shift her back so she’s balanced on her left foot
so we can drag her right foot.
01:41
Now for the ladies, you’ll see that
when I collect my legs...
01:45
..I bend my knees, bring the foot in angling
and then push out.
01:52
So that when I am being dragged,
it goes through this beautiful arc.
01:59
So we’ve got side, she pivots a lot.
02:01
He stops her, grabs the foot,
shifts her back to her foot...
02:05
..so her leg is free to drag
and then we’ll bring her up to the freno.
02:10
She’ll walk over and we’ll exit as earlier
or you can do a Gancho; previous chapter.
02:29
Now some comments.
02:30
Why do we tell you to do it this way?
02:32
And that’s because if you -
ladies if you don’t stay close...
02:37
..the reason I’m emphasizing that it's big pivot for her...
02:39
..or for the leaders,
that you need to take her around in a big pivot...
02:42
..is because if you don’t, she’ll end up really far away
which is not the tango way.
02:47
For example.
02:49
N: Yes it’s a fun one to show them.
D: What I do for my students...
02:51
..So we're here, I pivot her, she's
- wrong angle.
02:55
One more time.
02:56
I’m here, I pivot her and she goes that way
and I’m over here and then I grab her foot.
03:01
I can still grab her foot.
We can sort of reach each other.
03:06
And then I go to drag,
and you know, "I can make it."
03:11
I can make it. And then I’m stuck.
03:14
So for the leaders if you’re here and you pivot her
and she steps over there...
03:18
..maybe you can drag the foot,
but you can’t really drag it out.
03:21
And then you’re stuck here
with your feet really wide.
03:23
So instead, for the followers, you want to think
you want to go in this circle around the guy...
03:28
...which is why there is so much pivot.
03:31
That was good.
03:35
Eventually, once you get really comfortable with it
you can do it all as one motion.
03:38
So instead of stopping her, you’ll get her going...
03:41
..and then you’ll just grab the leg along the way.
03:45
N: And we can do it more than once.
D: One more time. Right -
03:47
- for that matter while we’re at it,
once you’re here you can just keep her going...
03:52
..and just keep grabbing the leg
and then flip back and grab the leg.
03:57
And then instead of once,
you’ll do a double flick up.