クロスアングルのシステム - クロスシステムはレゴに似ています

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レゴが何であるか分からない人には、さまざまな色のブロックを多数の異なる場所や異なる(通常は幾何学的な)角度で接続することができるように、さまざまな隆起を持つビルディングブロックです。

これは私たちがここで意味することです:あなたは一歩を踏み出し、多くの場所でそれを中断し、別のステップを踏み出すことができます。

「創造性の秘訣は、あなたの情報源を隠す方法を知ることです。」 - アルバート・アインシュタイン

人々がやろうとしていることの一つは、早すぎる、通常、彼らは即興しようとすることです。それは大丈夫です。最初の6ヶ月または1年間は、3つのうち2回はうまくいかないことに気づくでしょう。あなたが本当に物事を取りたい踊りのために、あなたが知っているものに固執し、一緒にランダムな順序で。

アーティスト名:
Carlos di Sarli
曲名:
Bahía Blanca
アルバムタイトル:
RCA Victor 100 Años - Carlos di Sarli

(todotango.comからの言い回し):彼はタンゴのリズム・カデンスをハーモニック・ストラクチャーと組み合わせる方法を知っていましたが、シンプルでニュアンスがあります。

00:05
And you'll start to notice a pattern. And the pattern is, it goes something like this:
00:09
The more things change, the more things stay the same.
00:12
And, earlier on, we said, "You can do anything at anywhere."
00:17
And then, in a later chapter, as you got more advanced, we said, "You can do anything at anywhere."
00:21
And now, as you're more advanced yet, we're saying, "You can do anything at anywhere."
00:25
And, eventually, you're going to say to me, "David, I know what you're going to talk about." And you'll be right.
00:30
So, in this chapter, we're going to take all these previous chapters, and show you how...
00:35
As we were at the beginning of this right angle place, where I could step side, and she could step forward,
00:39
We can do any one of the things we've done before.
00:42
And I want you to see how, at that one moment, you have so much choice.
00:44
And, for the ladies,
00:47
Often, ladies will say things like, and it'll be half true, ladies will say things like,
00:52
"I don't need to know that, I just need to follow."
00:55
And there's some truth to that, but at the same time,...
00:58
So, one thing, is that you need to have good technique, and we'll have a bunch of chapters on good technique,
01:02
But you also have to know it's possible.
01:03
So, often I'll lead women in things and they won't expect it.
01:07
I'll do this.
01:09
And they won't expect, "What, you want me to do this?"
01:13
No, maybe not that, that's not tango, but...
01:16
As we do this, I want you to look at that one spot and see how's there so many possibilities,
01:20
And if the guy takes you in a strange place, maybe that strange place will lead to a wonderful thing.
01:25
And so, you need to get it in your body to go in whatever direction, even a strange direction.
01:30
And what's more, if you're standing on the ball of one foot, forgive me for being wordy,
01:34
If you're standing on the ball of one foot, you can...
01:38
Have lots of choice, and this is a choice, that...
01:42
That's easy to forget.
01:44
Right? So as you doing this, the instinct is to stand on the foot,
01:47
And you'll... have a preference for a place, and so when you go to that place - that's easy.
01:52
So, for example, if I'm standing like this, I'm sort of back weighted. It's easy for me to fall backwards. But it's very hard for me to go forwards.
01:59
And so, when we say, we want you to be able to do all these different things, that forces you to neutral.
02:03
That forces you to a neutral place.
02:07
So that you can go forward, or back, or side, or pivot.
02:09
And it's this neutral place where you want to live.
02:13
That was really good.
02:17
So, for example, we have...
02:20
Side, he changes, she pivots, that's our introduction to get into this position.
02:24
And from here, you can do a lot of things. Right, so I could go...
02:27
Rock, and no, I changed my mind. I could rock side,
02:30
I could go rock this other way.
02:34
If I went over there, that would be the beginning of a forward ocho, but instead of that, I can pivot her the other way.
02:39
And then we could go into back ocho.
02:45
I could step that side but deliberately step smaller,
02:49
So it turns.
02:51
So, at that one place, you have so many choices.
02:53
And I never know what he's going to do.
02:58
And, likewise, if we're standing on this foot, you have all those same choices.
03:02
I could rock here, I could rock... here.
03:05
We could step there having her go further than me.
03:09
I could pivot her, and take her to forward ocho.
03:12
And so, those were the combinations that we showed you earlier. And, what I want you to do right now
03:17
Is, either in your mind, or with your partner, one of the two,
03:20
Slowly go over each one of these possibilities on each leg.
03:23
And then do it repeatedly, because you actually have to practice this, and do it yourself, for it to internalize.
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クロスアングルのシステム
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