Double Time & Traspie - Beberapa Contoh Traspie

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Beberapa orang menemukan sinkopasi traspie membingungkan dan sulit dimengerti. Jika rasanya seperti konsep asing, mempraktikkannya perlahan bisa membantu. Bor hanya mengucapkan ritme. Seringkali, masalah dengan eksekusi adalah bahwa ini bukan irama yang biasa Anda lakukan, jadi Anda harus mendapatkannya di tulang Anda. Dan ucapkan irama itu membantu.

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Nama artis:
Q Tango
Judul lagu:
El Lloron
Judul album:
Live Four Q Tango
Situs artis:
http://www.qtango.com

Dari situs web: Dibuat pada bulan Juli, 2009 oleh Erskine Maytorena, musisi tango generasi ketiga dan penyanyi opera, QTANGO melakukan pengaturan tango Argentina otentik di seluruh barat daya, dengan beberapa tur termasuk penampilan di Los Angeles, San Francisco, Sacramento, San Diego, Tucson, Sedona, Las Vegas, El Paso, Santa Fe dan Albuqeurque. Mengkhususkan diri dalam musik tango tradisional dari "Zaman Keemasan" dari orkestra tango Argentina yang hebat, musik QTANGO yang dinamis dan kuat membuat penari di lantai dan pendengar terpesona. Setiap lagu adalah novel; kisah cinta, pengkhianatan, keputusasaan dan harapan. Pemusik QTANGO memberi penonton pengalaman unik dan intim, sebuah resonansi akustik yang bisa diberikan orkestra, sebuah perjalanan menuju percintaan, hasrat dan keanggunan tango. Apakah tur sebagai kuartet atau melakukan acara gala dengan lebih dari 14 musisi, setiap penampilannya canggih, menarik, nostalgia, dan bergerak.

00:16
So, that's combination number one.
00:19
In slow motion, because the fast motion is a hard way to learn,
00:23
We have zero to start, and, so, our zero's going to be either a weight change, or a side step.
00:29
So, we have prep, and then we're into it.
00:32
We've got: outside, in-line... side, together, side, together. And then repeats.
00:41
Outside, in-line; I'm going to turn it so we stay in camera; side, together, side, together.
00:49
So, for the leaders, let's see, let's do this way to the foot camera.
00:54
We have: side, outside, in-line. So you see that my foot's right here, next to her foot, to keep her from crossing.
01:01
And then, for this side, together, side, together.
01:05
And you notice those a faster, because that's the traspie, pa-pa, pa-pa.
01:09
In my upper body, I'm going to almost throw and catch, to get that weight change.
01:13
So, in the upper body, it's: pa-ah, pa-ah, and onward. So, one more time.
01:21
*David vocalizes*
01:28
OK? So, there's combination number one. Combination number two, I call the conga line.
01:33
Yeah, it is like a conga line.
01:35
Which is...
01:38
*David vocalizes*
01:44
It's the "bup" that's the traspie.
01:47
Actually, as I think about it, I was doing double-time, rather then a traspie. Let me do that again, as traspie.
01:53
Conga line:
02:01
This is what David calls the conga line.
02:23
So, it's *David vocalizes*
02:29
So, there's your traspie. And it's same thing on both sides. We've got, for the leaders,
02:35
You have: *David vocalizes*. And then it just repeats.
02:43
Do a ton of the side steps, with your back to the camera. I think that looks really cool.
02:47
So, for example, if we do combination number one,
02:50
But do like...
02:51
Yeah, yeah, got it.
02:59
D: And then we go off camera.
N: Ha!