Double Time & Traspie - Beberapa Contoh Waktu Ganda

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Seringkali, kombinasi milonga membuat kombinasi tango yang sangat halus (dengan gaya irama tango) dengan gaya yang berbeda. Kebalikannya sering tidak bisa dikatakan.

Nama artis:
Q Tango
Judul lagu:
Yo Me Llamo Juan Te Quiero
Judul album:
Live Four Q Tango
Situs artis:
http://www.qtango.com

Dari situs web: Dibuat pada bulan Juli, 2009 oleh Erskine Maytorena, musisi tango generasi ketiga dan penyanyi opera, QTANGO melakukan pengaturan tango Argentina otentik di seluruh barat daya, dengan beberapa tur termasuk penampilan di Los Angeles, San Francisco, Sacramento, San Diego, Tucson, Sedona, Las Vegas, El Paso, Santa Fe dan Albuqeurque. Mengkhususkan diri dalam musik tango tradisional dari "Zaman Keemasan" dari orkestra tango Argentina yang hebat, musik QTANGO yang dinamis dan kuat membuat penari di lantai dan pendengar terpesona. Setiap lagu adalah novel; kisah cinta, pengkhianatan, keputusasaan dan harapan. Pemusik QTANGO memberi penonton pengalaman unik dan intim, sebuah resonansi akustik yang bisa diberikan orkestra, sebuah perjalanan menuju percintaan, hasrat dan keanggunan tango. Apakah tur sebagai kuartet atau melakukan acara gala dengan lebih dari 14 musisi, setiap penampilannya canggih, menarik, nostalgia, dan bergerak.

00:11
Or again, other direction.
00:20
And, you'll notice, they're really small steps, because it's fast.
00:23
Just breaking this step apart, in slow motion:
00:28
We've got two walks: one, two, in-line with contra-body.
00:33
And then, a one, two, three... and a slow change.
00:39
So, to the camera, for the leaders, I'm going one, two, a one, two, three... slow change.
00:49
Away from the camera:
00:54
This is half-time. Actually, is it? No, it's not half-time.
00:57
It feels like half-time, because I'm stepping so slow... small. One more time.
01:06
And then, for the follower, you have the natural opposite.
01:09
Remember, followers, that when you do this, to keep the body forward, and to keep the thighs tight.
01:15
And to hold on for dear life.
01:17
David says he gives permission to hold on a little tight, when you do this; I give you permission to hold on really tight.
01:26
Let's show the other one.
01:28
OK. Different combination:
01:31
Also double-time.
01:33
What was that? Oh, right, right.
01:46
And people ask me all the time, how do I follow that?
01:50
N: It's really easy to lead, and it's easy to follow.
D: It's not easy to lead.
N: It is, sure it is!
01:55
You get down on your hands and knees before it starts, and you beg, abjectly, and they'll do what you say.
02:00
D: Please, please, quick step, rock, back, side, forward, and step.
N: Yeah, it's very easy to lead.
02:05
Apart from that, I don't follow it. I don't even try to follow it. I just hold on for dear life, and let him move both of us.
02:13
Right, because the physical connection can be very fast,
02:16
Let your body react very rapidly. But the mind trying to get it is always too slow.
02:21
If he moves, and then you have to think what it is he did, and then you have to try to do it, he's already moved four steps by then.
02:28
In slow motion, this was:
02:32
Point, and... And, actually, it's a mini rock, so I'm going to say: check, and, check, and, check, and, step.
02:41
Or, you can do both sides, right, check, and, check, and, odd side.
02:45
You really wouldn't do that side typically, because it's odd for the leader to go back left.
02:49
Let's do one more time, two more times.
Seri:
Double Time & Traspie
Tag:
Milonga, Menengah, Kesenian, Maju
Saya tahu banyak tango dan ingin masuk lebih dalam