Kosakata Vals - Dalam Kehormatan Tete

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Tete jelas salah satu penari waltz favorit kami. Saat Anda mengawasinya, waltz-nya memiliki rasa pasang surut yang mulia. Aku diberitahu bahwa dia cukup karakter dan bahwa dia memegang lengan kanannya dalam posisi yang tidak biasa, ke atas dan ke arah leher. Saat dia menari, dia memancarkan sukacita.

Inilah video lengkap dengan Tete yang menari-nari langkah ini: Tete's Waltz

Nama artis:
Mandragora Tango
Judul lagu:
Gota De Lluvia
Judul album:
Live 2007
Situs artis:
http://www.mandragoratango.com

Dari situs web: Mandrágora Tango adalah band tango yang dikepalai oleh bandoneonist Bob Barnes dan gitaris Scott Mateo Davies, 2 musisi berbasis Minneapolis yang sangat menyukai tango. Kami telah bermain tango untuk menari dan mendengarkan sejak tahun 2001 dan kami masih kuat. Kami telah bermain di lebih dari 40 kota di seluruh Amerika Serikat.

00:05
So, this step is in honor of Tete, who's this really big guy, with lots of character, who has one of my favorite valses.
00:11
He has a beautiful vals.
00:13
And, when you watch him, you really get the sense of ebb, and flow, and release.
00:18
And ownership.
00:19
Yes. And lots of character, as well.
00:44
D: And, so...
N: I really like that step.
D: Yeah.
00:48
Exaggerating slightly:
00:52
Let's say, we start side, reach, reach, go... it'll then cross behind.
01:02
So, with my... After I reach, the left foot will go behind, slight turn... 45 degree turn... 45 degree turn.
01:10
So, 90 degree turn total.
01:12
And, at the same time I'm cutting behind, I also having the follower cut behind,
01:16
And I'm doing that by softly opening her back.
01:18
So that, for the ladies, they reach, and here, I open the body softly, so she cuts behind,
01:28
Lift up, so there's a subtle lean... and then, pivot, and go out.
01:33
So, one part more time, the followers part, we have: side, reach, cut lean... out.
01:45
So, you've got: side, reach, we both cut, I lift up, soft lean... and then, out.
01:52
To a cross, usually, I think.
01:54
Another angle:
02:02
So, there's this sense, really, of the weight, going back and forth.
02:06
And that mirrors the flow of the dance.