- कलाकार का नाम:
- Horacio Salgán
- गीत शीर्षक:
- Don Augustin Bardi
- एल्बम शीर्षक:
- Nuevo Quinteto Real
- कलाकार वेबसाइट:
- http://en.wikipedia.org/wiki/Horacio_Salg%C3%A1n
(विकिपीडिया से): 20 में ऑर्केस्ट्रा के नेता रॉबर्टो फ़िरपो ने उनकी खोज की थी, जिन्होंने अपने ऑर्केस्ट्रा के लिए सल्गैन को काम पर रखा था। 1 9 42 के अंत में उन्होंने अपनी पहली रिकॉर्डिंग की, और 1 9 44 में अपने स्वयं के ऑर्केस्ट्रा को एक साथ रखा, जो 1 9 47 तक चली गई। सल्गान ने खुद को रचना और शिक्षण करने के लिए समर्पित किया और 1 9 50 में एक नया ऑर्केस्ट्रा के साथ वापस आ गया 1 9 60 में क्विंटेटो रीयल का गठन हुआ, जिसमें पलियान पर सल्गान थे।
- 00:05
- In these few videos we're talking about connection.
- 00:09
- And, there are several purposes to connection. One of them is to find physical ways to let the two bodies move completely together.
- 00:18
- And another one is to make the experience of moving completely together mind-blowingly wonderful. Which we do often.
- 00:26
- Right. So, I'm doing the editing of these videos. And, in editing, there are 29 frames to a second of video.
- 00:34
- And, sometimes, I have... Frequently, I end up going frame by frame when I'm doing the editing.
- 00:38
- And the coolest thing, when I can see us twentynine times in a second,
- 00:43
- And, every single time, any place I stop - we're completely together. That is just so cool.
- 00:48
- And, these are techniques that will help you find that.
- 00:55
- So, the first thought is that, as you dance, I want there to be breath.
- 00:59
- And, this isn't just for the leaders. This is for the follower too. Right? So, breath is just...
- 01:04
- D: As you're dancing, instead of being this...
N: Rigidity.
D: Rigidity.
- 01:09
- It's... Before you take a side step, maybe, for a leader, you might go...
- 01:16
- And then you step side. So I actually am... Breathing and having a sigh in my body.
- 01:21
- It's not only about what comes into my lungs, or my diaphragm, or whatever.
- 01:24
- It's also the use of my body, that I let my body breathe.
- 01:29
- However, David says this is the first thought. And, this is something that's really hard. And it's, I think, quite advanced.
- 01:36
- So, it's for after you've mastered the steps. And, after you've mastered some of the dance techniques.
- 01:42
- Then, to layer this on top of it, gives another dimension to the dance.
- 01:47
- I mean, really, this is, sort of, an advanced intermediate chapter. This series is an advanced intermediate series.
- 01:52
- So, before I take a side step, you'll see that I'll say...
- 02:00
- And then, we'll step. And you might not do that every step, but this idea of breathing, as you go...
- 02:06
- And then, you take a pause. You go through. And then, on.
- 02:10
- And, it's hard to see it out here. But, when I went forward, I took a pause, and I went...
- 02:17
- And then, I went forward. So, I'm not just static to forward. I'm...
- 02:22
- ...To forward. So, there's that movement, in the upper body.
- 02:25
- That's a really good point. Because that helps the woman know what you're going to do next. Which makes it very reassuring to her.
- 02:31
- Because then, she's not all tense, worrying about how she's going to follow. 'Cause it's completely clear, what he's going to ask for.
- 02:36
- And, likewise, for the followers, as you're doing this, I want you to think, that...
- 02:41
- D: You don't want to be rigid either.
N: Right.
D: So, as you hold him, if you keep your body loose and organic... Not loose...
- 02:48
- N: Engaged.
D: Engaged and organic.
N: But not rigid.
D: But not rigid.
- 02:52
- Then, his experience of your dance will be vastly better.
- 02:57
- That was point one. Point two.
- 02:59
- D: And, once again, this is a reminder. This is not a beginning chapter or even an intermediate chapter.
- 03:04
- N: Right.
D: This is advanced intermediate. Or, even, low advanced.
- 03:07
- On this... So, after you learn to dance from your core, and use your torso to initiate movement,
- 03:14
- And get rid of all slack in the system. And all these other profound things.
- 03:17
- Then, I want you to... For the leaders and for the followers,
- 03:20
- To experiment with this idea of letting your arms be involved in the dance.
- 03:25
- This was very hard for me to learn. David showed me this with the framework of ochos.
- 03:30
- Especially back ochos. Remember? And I found it really difficult but it made a very big difference once I got it.
- 03:36
- So, for the leaders, let me exaggerate this. A normal basic might look like this.
- 03:45
- And, you'll see, as I do this, that I keep my arms very still.
- 03:49
- You know, my arms aren't moving, at all. Or, almost at all. That's a normal basic.
- 03:56
- Here's a basic, where I'm letting my arms partake in the dance.
- 04:13
- N: You're not moving a lot.
D: No, no, it's very subtle.
- 04:17
- But it makes the dance about the whole body. It's not just about the movement of the center, or through the torso.
- 04:22
- So, the arms do have this breath in them. So, as I go side, there's that movement in the arms.
- 04:32
- And, for the followers, you do the same. So, if we do this together.
- 04:45
- And that's, probably, more movement than we would have normally.
- 04:48
- Oh, yes. We're exaggerating this terribly, so it's easy to see on camera. It's really very subtle.