Transitions Faciles - Des Ochos Frontaux à l'Infini

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Une chose que nous constatons avec les "pas de base" est qu'il est très facile de tomber dans une routine où vous faites toujours les mêmes 2 sorties des front ochos ou le même embellissement. Parfois, du moins, nous aimerions que les gens s'arrêtent et pensent qu'ils peuvent faire quelque chose de différent. Ainsi, l'exécution d'un pas peut être consciente, mais même le choix de la sortie, de l'entrée ou de la variation du pas peut également être conscient.

Nom d'artiste:
Narisco Saul
Titre de la chanson:
Jacinto Chiclana
Titre de l'album:
El Tango de Narisco
Site de l'artiste:
http://www.narcisosaul.com.ar

Du site Web - traduit librement : Né à Buenos Aires le 21 juin 1957. Il a commencé à étudier la musique en 1965 en commençant par le piano et s'est ensuite consacré à la guitare électrique. En 1975, il a commencé à étudier la guitare classique et l'harmonie et en 1977, il est entré au Conservatoire provincial Juan José Castro, ayant pour professeurs Enrique Belloc, Graciela Pomponio et Pedro Miguel Angel Girollet Chiambaretta entre autres. Diplômé en 1985 avec le titre de Professeur Supérieur de Guitare. Depuis 1978, il travaille dans la musique populaire. En 1979, il a commencé à étudier le jazz avec le guitariste Mario Andreola. Depuis 1980, il est professeur à l'Université del Salvador, (Faculté de Musicothérapie) et depuis 1988 au Conservatoire Municipal Manuel de Falla.

00:06
The earlier videos said: "Wherever I happen to be starting - let's go from there and do a gancho, a drag, whatever it is."
00:14
This video is saying: "I'm starting at front ocho, what can I do?"
00:19
And just like in earlier videos, we said, "Well, you can do your gancho, or drag, no matter where you start."
00:24
I'm going to say, "If you start at front ocho, you can do anything."
00:28
So, for example, if we have front ocho,
00:36
You pivot further, and it becomes a drag.
00:41
And that's a natural extension of that drag we already taught you.
00:44
If you have front ocho,
00:49
You change pivot - there's your freno. I think we might have even taught this one.
00:53
What else might we do? You have going to gancho. You have front ocho.
00:58
Let's say, for example, that you check to come back.
01:03
Molinette: you have front ocho, you're sort of getting the idea.
01:09
At any point you want, you just turn - there's molinette.
01:18
It's kind of cool. It's really confusing in the beginning. So don't feel bad.
01:22
And don't be impatient with yourself.
01:25
I'm going to come with two more examples, though.
01:26
You have two more examples.
01:27
Two more examples. so let's pick a lunge, too.
01:29
So, you have front ocho... it's starting in a very repetitive way.
01:34
And then, on any one of these front ochos, maybe we turn it into... a lunge, or... a lunge.
01:43
And finally, let's say you have, you want to turn it into a wrap.
01:47
So, you have front ocho,
01:51
And, let me... I have to work this one out in my mind.
01:54
So, we're here. I'll change, and then extend through her pivot, and there's our wrap.
02:02
So, even he had to work it through, and that's the thing - it's kind of cool, just play with it.
02:07
Pick any base, and then just look around - what could you do from there?
02:12
And, if you say, "Well, here's where I'm starting, what's the path of least distance?"
02:18
Nancy: That's good.
David: First, start with where you want to end. "OK, I want to end in a wrap".
02:21
Alright, so in a wrap, the normal wrap, for example, I'm on my left, she's on her right, natural opposite.
02:27
So, I'm going to have to change my weight, because front ochos are cross-system.
02:30
And then my right leg will have to be in between. And you say, "Well, when can I get to that position?"
02:35
And then, all of a sudden, it sort of helps itself be discovered.
02:38
So, you can start that by doing it with us, in the examples that we just gave you,
02:42
And then you can use that to look around and see if you can come to them by yourself.