Una muestra coreográfica - Parte 3 - Elevación

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A menudo, las terminaciones dramáticas o elevaciones se vuelven más efectivas si poseen múltiples piezas. De manera, que ejecute una cierta pieza y la audiencia crea que ese es el final del baile, y luego ejecute algo más (en la elevación) lo cual es aún más impresionante.

Por ejemplo, si eleva a su pareja y luego la deja en el suelo eso es una buena pieza. Pero si realiza una elevación, gira sobre su eje, eleva a una posición de sombra de aire y lentamente la desliza hacia abajo, entonces eso es algo “muy” agradable de observar.

Nombre del artista:
Mandragora Tango
Título de la canción:
Adios Nonino
Título del álbum:
Let's Have Dinner And Go Dancing
Sitio Web del artista:
http://www.mandragoratango.com

De la web: Mandrágora Tango es una banda de tango dirigida por el bandoneonista Bob Barnes y el guitarrista de Scott Mateo Davies, 2 músicos con sede en Minneapolis que son tremendamente apasionado tango. Hemos estado jugando tango para bailar y escuchar desde 2001 y todavía vamos fuertes. Hemos jugado en más de 40 ciudades de todo Estados Unidos.

00:05
Now, for the trick. And I want to make the comment, that...
00:08
Even though I'm breaking this down, and very quickly sketching out what I'm doing,
00:13
As you lis... I want you to really listen to the music, and say... Hear how the music shifts, at each section.
00:19
You know, there's this four of these. And that's one section, that's the introduction.
00:22
And then, there's this shift in the music again, after this.
00:28
They're saying, and then, da-da-da-da.
00:32
And so, that's a new section. So, even though we're teaching, "Oh, here's this trick", you can put in your own trick.
00:37
Right? When you hear the music shift to something that's appropriate, and do it your own way.
00:40
Anyway. We end up in this side lunge.
00:48
From here, I'm going to rotate. So I'm more in front of her. She pivots to face me.
00:53
In my arms, I'm going to lift up, and I'm going to lower myself down.
00:57
So her left foot can get right there, in the crease between my...pelvis and my thigh.
01:05
And then, I'll hook around. With my back hand, I'm going to lift up, as she pushes, so she can rise. Notice the point on her right leg.
01:14
I'll rotate... And pull away. So she can hit that attitude. Knee high.
01:21
And then, I'll rotate back. And here, I'm, sort of, controlling the down, we both are. Let's show that again.
01:27
So, after up here, with leg pointed, for the girls, it rotates.
01:34
Leg goes up, knee is high. Or, this way, for the camera. Knee is high, rather than down.
01:43
So, it rotates, knee is high. It rotates again, and here, ladies, you're really pushing down.
01:51
And, leaders, you're really... With the back hand, I'm pushing up; left hand up. So that she can slide down in a controlled way.
01:59
You don't want, "Plunck".
02:00
Also... So, I'm lifting up to get her leg to go up.
02:05
Notice, with this arm I'm hooking tight snug against her leg. So it's really secured.
02:11
With my back hand...
02:14
And then, I let it slide.
02:17
Rotates... Rotates.
02:27
And slides down.
02:29
Harder slow, much easier fast.
Serie:
Una muestra coreográfica
Etiquetas:
Coreografía, Elevaciones, Actuación
Quiero realizar y sé que algunos de tango