Einfache Übergänge - Von Front-Ochos zu Unendlichkeit
Eine Sache, die wir bei den "Grundschritten" feststellen, ist, dass es sehr einfach ist, in eine Routine zu geraten, in der man immer die gleichen 2 Ausgänge aus Front Ochos oder die gleiche Verzierung macht. Manchmal, zumindest, möchten wir, dass die Leute innehalten und darüber nachdenken, dass sie etwas anderes tun können. Die Ausführung eines Schrittes kann also bewusst sein, aber auch die Wahl des Ausgangs, des Eingangs oder der Variation des Schrittes kann ebenfalls bewusst sein.
- Künstlername:
- Narisco Saul
- Liedtitel:
- Jacinto Chiclana
- Albumtitel:
- El Tango de Narisco
- Künstler Website:
- http://www.narcisosaul.com.ar
Von der Website - lose übersetzt: Geboren in Buenos Aires am 21. Juni 1957. Er begann 1965 Musik zu studieren, zunächst mit dem Klavier und widmete sich später der E-Gitarre. 1975 begann er, klassische Gitarre und Harmonielehre zu studieren, und 1977 trat er in das Provinzkonservatorium Juan José Castro ein, wo er unter anderem von Enrique Belloc, Graciela Pomponio und Pedro Miguel Angel Girollet Chiambaretta unterrichtet wurde. 1985 schloss er mit dem Titel eines Senior Lecturers für Gitarre ab. Seit 1978 arbeitet er in der populären Musik. 1979 begann er, Jazz bei dem Gitarristen Mario Andreola zu studieren. Seit 1980 ist er Professor an der Universidad del Salvador (Fakultät für Musiktherapie) und seit 1988 am städtischen Konservatorium Manuel de Falla.
- 00:06
- The earlier videos said: "Wherever I happen to be starting - let's go from there and do a gancho, a drag, whatever it is."
- 00:14
- This video is saying: "I'm starting at front ocho, what can I do?"
- 00:19
- And just like in earlier videos, we said, "Well, you can do your gancho, or drag, no matter where you start."
- 00:24
- I'm going to say, "If you start at front ocho, you can do anything."
- 00:28
- So, for example, if we have front ocho,
- 00:36
- You pivot further, and it becomes a drag.
- 00:41
- And that's a natural extension of that drag we already taught you.
- 00:44
- If you have front ocho,
- 00:49
- You change pivot - there's your freno. I think we might have even taught this one.
- 00:53
- What else might we do? You have going to gancho. You have front ocho.
- 00:58
- Let's say, for example, that you check to come back.
- 01:03
- Molinette: you have front ocho, you're sort of getting the idea.
- 01:09
- At any point you want, you just turn - there's molinette.
- 01:18
- It's kind of cool. It's really confusing in the beginning. So don't feel bad.
- 01:22
- And don't be impatient with yourself.
- 01:25
- I'm going to come with two more examples, though.
- 01:26
- You have two more examples.
- 01:27
- Two more examples. so let's pick a lunge, too.
- 01:29
- So, you have front ocho... it's starting in a very repetitive way.
- 01:34
- And then, on any one of these front ochos, maybe we turn it into... a lunge, or... a lunge.
- 01:43
- And finally, let's say you have, you want to turn it into a wrap.
- 01:47
- So, you have front ocho,
- 01:51
- And, let me... I have to work this one out in my mind.
- 01:54
- So, we're here. I'll change, and then extend through her pivot, and there's our wrap.
- 02:02
- So, even he had to work it through, and that's the thing - it's kind of cool, just play with it.
- 02:07
- Pick any base, and then just look around - what could you do from there?
- 02:12
- And, if you say, "Well, here's where I'm starting, what's the path of least distance?"
- 02:18
- Nancy: That's good.
David: First, start with where you want to end. "OK, I want to end in a wrap". - 02:21
- Alright, so in a wrap, the normal wrap, for example, I'm on my left, she's on her right, natural opposite.
- 02:27
- So, I'm going to have to change my weight, because front ochos are cross-system.
- 02:30
- And then my right leg will have to be in between. And you say, "Well, when can I get to that position?"
- 02:35
- And then, all of a sudden, it sort of helps itself be discovered.
- 02:38
- So, you can start that by doing it with us, in the examples that we just gave you,
- 02:42
- And then you can use that to look around and see if you can come to them by yourself.
